Re: The Cinematic Motion Picture News Thread
Posted: Fri February 10, 2017 9:12 pm
durdencommatyler wrote:I'm way more excited about Jay and Silent Bob Reboot than Halloween reboot.
durdencommatyler wrote:I'm way more excited about Jay and Silent Bob Reboot than Halloween reboot.
Let me be clear, I'm not excited for a Jay and Silent Bob Reboot movie.LoathedVermin72 wrote:I know you don't like horror, Joey, but that is just incorrect.
He needs to stop announcing projects because 80% of them don't ever come to fruition.VinylGuy wrote:Kevin Smith is the worst. He couldnt get that Mallrats series going...man, just do the podcast. Its really sad....and this reboot thing? my god.
Steve Albini wrote:Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
He is a bit like The Offspring in my head in that he was instrumental in getting me into movies when I was 12, I was a huge fan all the way through high school, and now that I'm older I find myself vexed and exasperated by his artistic choices while also realizing how not-actually-that-great his early "lauded" work is.durdencommatyler wrote:Man, I really have no real understanding of the wider perception of Kevin Smith.
This makes sense to me. But what makes him a "thin-skinned manboy?"theplatypus wrote:He is a bit like The Offspring in my head in that he was instrumental in getting me into movies when I was 12, I was a huge fan all the way through high school, and now that I'm older I find myself vexed and exasperated by his artistic choices while also realizing how not-actually-that-great his early "lauded" work is.durdencommatyler wrote:Man, I really have no real understanding of the wider perception of Kevin Smith.
He's made three films that I like more than Clerks that you didn't even mention. Still, interesting to hear your (and others') thoughts on this. I had no idea he'd faded and worn out his welcome so much to the broader public. That's really interesting to me.tragabigzanda wrote:As a former hardcore Smith fan (I'm talking '94-'99), here's my take:durdencommatyler wrote:Man, I really have no real understanding of the wider perception of Kevin Smith.
He did some great work with Clerks and Chasing Amy. Two great examples of a filmmaker working within a very modest budget to make some really compelling films. But now his ear for dialogue is dated, and he lacks any visual prowess whatsoever. Ultimately, his greatest contribution to film will be in proving that one can foster a dedicated fanbase and exist outside of the studio system, and make the films one wants to make. But his movies now mostly suck (I appreciate his attempts at horror, even if they're not great), he's a burnout and a bore, and he has diarrhea of the mouth.
Oh, he gets into petty squabbles with critics and fans all the time. He does shit like search his own name on Twitter to see what people are saying about him (without actually @-ing him) and then puts them on blast for his army of neckbearded fans to abuse. Stuff like thatdurdencommatyler wrote:This makes sense to me. But what makes him a "thin-skinned manboy?"theplatypus wrote:He is a bit like The Offspring in my head in that he was instrumental in getting me into movies when I was 12, I was a huge fan all the way through high school, and now that I'm older I find myself vexed and exasperated by his artistic choices while also realizing how not-actually-that-great his early "lauded" work is.durdencommatyler wrote:Man, I really have no real understanding of the wider perception of Kevin Smith.
Ah. I'm just not tapped in to all of that. I had no idea.theplatypus wrote:Oh, he gets into petty squabbles with critics and fans all the time. He does shit like search his own name on Twitter to see what people are saying about him (without actually @-ing him) and then puts them on blast for his army of neckbearded fans to abuse. Stuff like thatdurdencommatyler wrote:This makes sense to me. But what makes him a "thin-skinned manboy?"theplatypus wrote:He is a bit like The Offspring in my head in that he was instrumental in getting me into movies when I was 12, I was a huge fan all the way through high school, and now that I'm older I find myself vexed and exasperated by his artistic choices while also realizing how not-actually-that-great his early "lauded" work is.durdencommatyler wrote:Man, I really have no real understanding of the wider perception of Kevin Smith.
I liked parts of Yoga Hosers. It is not a good movie but the critical thrashing it received is disproportional to how bad it really isgardenparty wrote:Yoga Hosers was one of the worst movies I've ever seen.
Mallrats is so great.BurtReynolds wrote:He gets a lifetime pass from me for Clerks and Mallrats, but everything else is crap, and he's kind of annoying in interviews, though he seems like a nice guy. That guy loves to talk, without saying anything interesting.
Steve Albini wrote:Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
Mallrats, Dogma, and Red State are the three I was talking about that I like more than Clerks.tragabigzanda wrote:What are those three movies? I like Mallrats and Jay & Silent Bob Strike Back, but wouldn't put them above Clerks or Chasing Amy.durdencommatyler wrote:He's made three films that I like more than Clerks that you didn't even mention. Still, interesting to hear your (and others') thoughts on this. I had no idea he'd faded and worn out his welcome so much to the broader public. That's really interesting to me.tragabigzanda wrote:As a former hardcore Smith fan (I'm talking '94-'99), here's my take:durdencommatyler wrote:Man, I really have no real understanding of the wider perception of Kevin Smith.
He did some great work with Clerks and Chasing Amy. Two great examples of a filmmaker working within a very modest budget to make some really compelling films. But now his ear for dialogue is dated, and he lacks any visual prowess whatsoever. Ultimately, his greatest contribution to film will be in proving that one can foster a dedicated fanbase and exist outside of the studio system, and make the films one wants to make. But his movies now mostly suck (I appreciate his attempts at horror, even if they're not great), he's a burnout and a bore, and he has diarrhea of the mouth.
Dogma is rubbish.
Jersey Girl was unfairly maligned, but it's not like it's a great movie.
Clerks II and Zack & Miri were both quite forgettable.
Cop Out was just sort of there.
Red State is a solid movie, and I'd qualify it as a successful experiment.
I couldn't get through Tusk or Yoga Hosers.
Steve Albini wrote:Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.