Re: Eddie Vedder - Earthling
Posted: Sat February 12, 2022 9:57 pm
The Haves does get a bad rap. Ed’s not singing it from his point of view.
modern day Greenday is a good comparison to the sound, I just think I'd rather listen to Greenday fronted by EdTj wrote:Power of Right initially had me excited when I first heard it live. I thought it was going to have a Mudhoney feel. Then I heard the studio version and it felt like Finger 11. It was jarring. I do however have come to like it. The gloss feels needed after Invincible. Good solid song for me. Yes it is a very modern rock song, but it has vibe that keeps it grounded. Green day has managed to pull this off as well it is a slippery slope though.
it's still pretty bad taste, but it's better that it's not about himspike wrote:The Haves does get a bad rap. Ed’s not singing it from his point of view.
Welcome to Para-hee-diseMs Harmless wrote:modern day Greenday is a good comparison to the sound, I just think I'd rather listen to Greenday fronted by EdTj wrote:Power of Right initially had me excited when I first heard it live. I thought it was going to have a Mudhoney feel. Then I heard the studio version and it felt like Finger 11. It was jarring. I do however have come to like it. The gloss feels needed after Invincible. Good solid song for me. Yes it is a very modern rock song, but it has vibe that keeps it grounded. Green day has managed to pull this off as well it is a slippery slope though.
I would prefer Watt as producer with Evans as key engineer and maybe mixer. It's clear he's inspiring to work with, for Ed. But the sound of this record is so of its time. Chad Smith's drums do not sound like that.tragabigzanda wrote:Welp, I’ve finally listened with headphones, and here’s where I’m at:
1. Creatively speaking, I find this album even more encouraging than Gigaton for what the future holds for Pearl Jam. The range of ideas is pretty great, and even the lesser tracks have some fun ideas and ear candy. I’m fully on board with an Andrew Wottman-produced Pearl Jam album.
2. The reliance on digital processing is variously encouraging and concerning. It’s great to hear some new guitar and bass sounds behind Ed’s voice, and the synth pads that we first got in DOTC continue to be the most surprisingly great addition to the pallet…but the sloppy vocal edit in Try (“hitting like the WITNESS in your eyes,” at 1:54), and some of the more Frankensteined song arrangements, give me less hope that PJ will ever make another Riot Act.
3. Ed continues to get away from the condenser mic breathiness of BS and LB, which is so great.
4. The compression and EQ are abysmal. I have serious ear fatigue after one listen, and had to turn the volume way down on the heavier songs. I’m firmly convinced that Ed’s going deaf, and has no idea or awareness of the results that’s having on his finished product. It is what it is, I guess.
Compositionally much stronger than I ever thought this would be, and more importantly, it never sounds tired; there’s nothing that smacks of a retread like SBWM.
Also, I really like The Haves. There I said it.
I don’t like how a lot of these songs sound. To my ears it sounds so slick for lack of a better word.Birds in Hell wrote:If this album is any indication, letting this "Watt" character anywhere near a Pearl Jam record seems like a disaster in the making.
I wonder whether the rest of the band share Ed's enthusiasm for bringing this guy into the picture.
it really is somehow the perfect fit for the song - takes it to another place. and him saying "again" at the very end is such a cool moment.Ms Harmless wrote:yeah it's great, I was also worried about the harmonica; Stevie knows what to do
yeah me tooevenslow wrote:this record is really fun. also has two tracks that make me legit choke up - Invincible and On My Way.