Red Mosquito

Monkey_Driven wrote:

guitar_davey wrote:

rick malone wrote:Heard Get Right at a Five Guys

I wanted to get fries with it, with you

Vitalogist wrote:

Jorge wrote:https://www.tiktok.com/@mememusic117/vi ... 4647179552

Jorge wrote:

Vitalogist wrote:

Jorge wrote:https://www.tiktok.com/@mememusic117/vi ... 4647179552

I decided to try it out myself: https://voca.ro/1fl8wBy1pU6v

Love how he sings the chorus

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Eddie Vedder

Pearl Jam guitarist Eddie Vedder rocked a black sequined jacket when he was joined by his family to check out Swift's show at Lumen Field in Seattle. His wife, Jill, shared a glimpse into their family outing to her Instagram story, which gave a look at the sparkly number.

The original hit version of “Last Kiss” by J. Frank Wilson and the Cavaliers was part of a wave of “teen tragedy” songs of the early 1960s—a fad comprised entirely of melodramatic pop songs about adolescents grappling with the aftermath of dead lovers. Every one of these hits had more than a little schmaltz in their DNA, a trait Pearl Jam chose to ignore when they revived the song in 1999 for a benefit album. Playing the track absolutely straight, Pearl Jam sounds entirely too earnest for a song this corny.

Bammer wrote:I got a text from a buddy who is currently in Hawaii, says he saw Ed ride by on a bicycle this morning.

VIENNA (AP) —In a groundbreaking announcement today, Pearl Jam’s bassist Jeff Ament has been overwhelmingly voted as the Root Note Bass Player Aficionado, drawing parallels to the legendary Amadeus Mozart’s prowess in classical music. Ament’s uncanny ability to navigate the intricate world of bass guitar root notes has earned him a reputation as the modern-day Mozart of this distinctive musical niche.

Artistic communities worldwide are abuzz with admiration, drawing connections between Mozart’s timeless compositions and Ament’s mastery of the foundational root notes. Critics and fellow musicians alike are hailing Ament’s dedication to the art of bass playing, with some even suggesting that his precision and innovation rival the genius of Mozart in his prime.

From symphony halls to underground music scenes, Ament’s influence is being likened to Mozart’s profound impact on classical music. One enthusiast remarked, “Just as Mozart’s compositions transcended his era, Jeff Ament’s root note bass playing transcends the boundaries of contemporary music. It’s like witnessing the birth of a new musical era.”

Reflecting on the parallel stories of respect and admiration for Mozart and Ament, it becomes evident that both figures have become synonymous with pushing the boundaries of their respective musical landscapes. Ament’s dedication to the simplicity and power of the root note has not only earned him accolades but has also sparked a movement among aspiring bass players who seek to emulate his unique style.

In a world where innovation meets tradition, Jeff Ament stands as a testament to the enduring power of the root note, echoing the sentiment once reserved for classical maestros like Mozart. As fans eagerly await Ament’s next bassline masterpiece, the music world collectively acknowledges him as a modern-day virtuoso, harmonizing with the echoes of a bygone era.

Farmer John wrote:

Birds in Hell wrote:

Anders wrote:

Birds in Hell wrote:

Ouch.

Jess wrote back an email saying she’d think it over:

Still mulling on it. I’ve always been paid for any commercial job I’ve done. Have been happy to have a sliding scale depending on the project and what they can afford… but it’s always been something. So I have to say it seems a little upside down that a band like Pearl Jam would want to pay someone for their services in merch.

But will do a bit of research and see if it’s been financially viable for the other artists. Will be in touch in the New Year!

Chris did not like that reply very much, and fired Jess before Jess had been hired.

Based on your email it is best for us to move on and work with another artist. I can say that Pearl Jam is the most artist friendly band out there.