Red Mosquito

Alex wrote:are we retrospectively deeming riot act a respectable album now that the last three records sucked so much? i'm not ready to do that.

Riot Act has always been a respectable album.

...with classics like Get Right and Ghost.

Alex wrote:are we retrospectively deeming riot act a respectable album now that the last three records sucked so much? i'm not ready to do that.

The RM groupthink shows itself in a rare "behind the veil" moment

Riot Act's a pretty good album. I think there are some subtle hints of the shit sound to come, but they hadn't yet fully committed to it.

It's still better to group it with Binaural than the Post Riot Act Moneygrab.

RA is an uneven album. There's some really great music that shows that band exploring the creative boundaries of its sound (Can't Keep, Cropduster). And, there's some low points (Get Right, TMW) that kind of bring the pacing of the album down. However, these low points don't suffer from the "schlock factor" that permeates through some of the more recent albums.

pnjguy wrote:Listen to the way Ed sung on Indifference, and listen to the way Ed sung on Getaway. BOB said that "Ed really sung the hell out of this album." For me, that was the main problem. Ed needs to be more subdued in his singing. His voice should just be another instrument in the band.

I think EC sounds really good on almost everything but I agree he is too far out in front. If nothing else, keeping him more subdued in the mix makes it possible for high points in the songs to be break out moments

stip wrote:

pnjguy wrote:Listen to the way Ed sung on Indifference, and listen to the way Ed sung on Getaway. BOB said that "Ed really sung the hell out of this album." For me, that was the main problem. Ed needs to be more subdued in his singing. His voice should just be another instrument in the band.

I think EC sounds really good on almost everything but I agree he is too far out in front. If nothing else, keeping him more subdued in the mix makes it possible for high points in the songs to be break out moments

I totally agree with this, and that it's reached its most problematic with Lightning Bolt.

Agreed. I love to death how he sounds during the final verse, but it's mixed too much like a continuation of what came before. Sirens and getaway are also major offenders. He's also just too loud in future days, even though he sounds real good

I was confused early this week when in the span of 2 hours I heard sirens and really liked it and then heard living on a prayer and really hated it

That's weird, because Livin' on a Prayer is so much better.

I'm from nj. I feel the need to apologize for it. Although if I put it on right now and my wife walked in I bet I could get laid

Lament wrote:That's weird, because Livin' on a Prayer is so much better.

It really is.

Birds in Hell wrote:

Lament wrote:That's weird, because Livin' on a Prayer is so much better.

It really is.

+1

I'd much much much rather sing Livin on a Prayer in a Rock Band video game situation. However, I prefer Sirens for listening.

We've got to hold on to what we've got
it doesn't make a difference
If we like it or not

Alex wrote:are we retrospectively deeming riot act a respectable album now that the last three records sucked so much? i'm not ready to do that.

Riot Act has been more than a respectable album all along, chum.

BurtReynolds wrote:We've got to hold on to what we've got
it doesn't make a difference
If we like it or not

hold on
to grown men's cocks

Thejambi wrote:...with classics like Get Right and Ghost.

Yes. In fact I'd take both Get Right and Ghost over most of their "classics."

Leatherhead wrote:

Thejambi wrote:...with classics like Get Right and Ghost.

Yes. In fact I'd take both Get Right and Ghost over most of their "classics."

Cool.

Riot Act has been my most-listened-to Pearl Jam album for the last couple of years. Probably my favourite of them all at the moment.