I've never experienced this personally, but there's apparently an issue with the mastering of Drive-By Truckers' "English Oceans" where people whose ears are capable of hearing certain higher frequencies can hear a high-pitched squealing sound on certain tracks. I can't hear it, but I guess it's bad enough that it makes the record unlistenable for some people.
Somebody pointed out there’s an out of tune guitar in Given To Fly like over 10 years ago on here and I’ve never been able to listen to that song again since then without that part sticking out. It’s during the second pre-chorus.
guestT wrote:I've never experienced this personally, but there's apparently an issue with the mastering of Drive-By Truckers' "English Oceans" where people whose ears are capable of hearing certain higher frequencies can hear a high-pitched squealing sound on certain tracks. I can't hear it, but I guess it's bad enough that it makes the record unlistenable for some people.
That reminds me, I'm pretty sure there's a similar issue with the album mix of the Cure's Lovesong - it's like a very faint high-pitched whine, like CRT TVs used to make.
tattooedeverything wrote:R.E.M., "What's The Frequency, Kenneth?" - The slowing of the tempo as the song ends is because Mike Mills was having an appendicitis attack.
I think I've heard this story before... around what part of the song does it slow down?
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
When the solo kicks in, it sounds like to me they got a little too carried away boosting the levels of almost all instruments before drawing them back down. Great moment though.
The guitar feedback at the start of the Beatles' "I Feel Fine" (one of the first uses of guitar feedback ever) was apparently the result of a complete accident.
McCartney: "John had a semi-acoustic Gibson guitar. It had a pickup on it so it could be amplified ... We were just about to walk away to listen to a take when John leaned his guitar against the amp. I can still see him doing it … it went, 'Nnnnnnwahhhhh!' And we went, 'What's that? Voodoo!' 'No, it's feedback.' 'Wow, it's a great sound!' George Martin was there so we said, 'Can we have that on the record?' 'Well, I suppose we could, we could edit it on the front.' It was a found object, an accident caused by leaning the guitar against the amp."
Last edited by Blaine Ryan on Mon January 14, 2019 9:41 pm, edited 2 times in total.
guestT wrote:I've never experienced this personally, but there's apparently an issue with the mastering of Drive-By Truckers' "English Oceans" where people whose ears are capable of hearing certain higher frequencies can hear a high-pitched squealing sound on certain tracks. I can't hear it, but I guess it's bad enough that it makes the record unlistenable for some people.
That reminds me, I'm pretty sure there's a similar issue with the album mix of the Cure's Lovesong - it's like a very faint high-pitched whine, like CRT TVs used to make.
Was that an all digital recording? I remember many late '80s "DDD" CDs sounding like crap and having a weird "whirring" noise.
tattooedeverything wrote:R.E.M., "What's The Frequency, Kenneth?" - The slowing of the tempo as the song ends is because Mike Mills was having an appendicitis attack.
I think I've heard this story before... around what part of the song does it slow down?
Around 3:46. It's actually pretty subtle and it sounds natural and intentional. But the story is 100% true.
tattooedeverything wrote:R.E.M., "What's The Frequency, Kenneth?" - The slowing of the tempo as the song ends is because Mike Mills was having an appendicitis attack.
I think I've heard this story before... around what part of the song does it slow down?
Around 3:46. It's actually pretty subtle and it sounds natural and intentional. But the story is 100% true.
I don't hear it at all.
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
I just lined up the first chorus against the final repeat of the chorus (where the slow-down supposedly takes place) and the tempos are virtually identical. I think this story is a myth, or at least exaggerated
Scratch that, I think there actually is a tiny bit of a difference, but damn is it ever subtle
Anders wrote:I do not have a «neoliberal assessment of geopolitics», so please stop writing that I do.
Blaine Ryan wrote:I feel like Neil Young's Tonight's the Night probably has a bunch of these, but I'd have to listen to it again to pick out specific examples.
i'd say this is the case for any neil with the horse record