Re: 2019 50/50 Challenge - 50 Books and/or 50 Movies in One
Posted: Tue July 02, 2019 5:11 pm
by Mickey
About halfway through the year:
Literature--Poetry, Fiction, Creative Nonfiction (7)
Aidoo, Ata Ama - Our Sister Killjoy
Baraka, Amiri and Fundi Abernathy - In Our Terribleness
Bustos, Miguel Ángel - Fragmentos Fantásticos
Marechera, Dambudzo - The House of Hunger
Toomer, Jean - Cane
Williams, William Carlos - Spring and All
Wright, C.D. - Deepstep Come Shining
Short Stories/Essays
Borges, Jorge Luis - “Las Ruinas Circulares”
Echeverria, Esteban - “El Matadero”
Guimaraes Rosa, Joao - “As margens da alegria”
Kohan, Martín - “El Matadero”
Roa Bastos, Augusto - “El Baldío”
Rulfo, Juan - “Nos han dado la tierra;” “No oyes ladrar los perros;” “La cuesta de los comadres;”
“El llano en llamas”
Saer, Juan José - “El Viajero”
Reportage, Scholarship, Theory, Criticism, Philosophy (9)
Augé, Marc - Non-Places: An Introduction to Supermodernity
Best, Stephen - None Like Us: Blackness, Belonging, and Aesthetic Life
Browne, Simone - Dark Matters: On the Surveillance of Blackness
Césaire, Aimé - Discourse on Colonialism
Ellis, Nadia - Territories of the Soul: Queered Belonging in the Black Diaspora
Hu, Tung-Hui - A Prehistory of the Cloud
North, Michael - The Dialect of Modernism: Race, Language, and Twentieth Century Literature
Paxton, Robert O. - The Anatomy of Fascism
Traverso, Enzo - The Origins of Nazi Violence
Articles and Excerpts
Adorno, Theodor W. - “On Lyric Poetry and Society”
Aguilar, Gonzalo - “Luvas de Pelica de Ana Cristina Cesar: El Ojo y El Guante”
Althusser, Louis - “Ideology and Ideological State Apparatuses”
Andermann, Jens- from The Optic of the State (“Introduction;” Ch 3 - “Maps;” Ch 6 - “Disappearing
Acts: Photography and Primitive Accumulation;” “Conclusion”)
_____ - “State Formation, Visual Technology and Spectatorship: Visions of Modernity in
Brazil and Argentina”
_____ - from Tierras en Trance (Ch 1)
de Andrade, Osvaldo - “Manifesto Antropófago”
_____ -“Manifesto da Poesía Pau-Brasil”
Arendt, Hannah - from The Origins of Totalitarianism (Chs 6-7)
Asante, S.K.B. - from Pan-African Protest: West Africa and the Italo-Ethiopian Crisis, 1934-1941 (Ch. 1)
Augustine of Hippo - from Confessions (Book X)
Bailly, Lionel - from Lacan: A Beginner’s Guide (“Real, Symbolic, Imaginary”)
Baker, Jr., Houston A. - from Afro-American Poetics: Revisions of Harlem and the Black Aesthetic
(“Lowground and Inaudible Valleys: Reflections on Afro-American Spirit Work”)
_____ - “Modernism and the Harlem Renaissance”
Bakhtin, Mikhail - "Discourse in the Novel" (Excerpt)
_____ - from Rabelais and His World (“Introduction”)
Barthes, Roland - from Camera Lucida (Sections 9-11, 18-24)
Barzini, Luigi - from The Italians (“Mussolini or the Limits of Showmanship”)
Baskin, Jason M. - “Soft Eyes: Marxism, Surface, and Depth”
Bell, David A. - “Le Pen's Long Shadow” (The Nation)
Bell, Lucy - “Photography, Punctum, and Shock: Re-viewing Juan Rulfo’s Short Stories”
Benjamin, Walter - from The Arcades Project (Colvolutes E, F, G, H, I)
_____ - “Brief History of Photography”
Best, Stephen, Heather Love and Sharon Marcus - “Building a Better Description”
Best, Stephen and Sharon Marcus - “Surface Reading: An Introduction”
Bolaño, Roberto - “Déjenlo Todo, Nuevamente: Manifesto Infrarrealista”
Bourdieu, Pierre - from The Logic of Practice (“Belief and the Body”)
Brizuela, Natalia - from Depois da fotografia (pp. 109-123)
Buñuel, Luis - from My Last Sigh (Chs 10 & 12)
Burleigh, Michael and Wolfgang Wippermann - from The Racial State: Germany 1933-1945 (Ch. 4)
Bustos, Emiliano - “Prólogo” (A la poesía completa de Miguel Ángel Bustos)
Butler, Judith - from Bodies that Matter (“Gender is Burning”)
_____ - from Gender Trouble (“Preface 1990;” “Subjects of Sex/Gender/Desire;”
“Conclusion”)
Byrd, Rudolph P. and Henry Louis Gates, Jr. “‘Song of the Son’: The Emergence and Passing of
Jean Toomer.”
Chow, Rey - “The Old/New Question of Comparison in Literary Studies: A Post-European
Perspective”
Clarke, Cheryl - from After Mecca: Women Poets and the Black Arts Movement (Intro, Chs 1-2, Excerpts
from Ch 3)
Costa Pinto, António - from The Blue Shirts: Portuguese Fascists and the New State (Chs 1-2, 7)
_____ - from The Nature of Fascism, Revisited (Chs 1, 4)
Costa Pinto, António and Miguel Bandeira Jerónimo - “A Modernizing Empire? Politics, Culture,
and Economy in Portuguese Late Colonialism”
Crary, Jonathan - from Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Chs.
1-2)
de Certeau, Michel - from The Practice of Everyday Life (Chs. 7-9)
Deleuze, Gilles and Felix Guattari - “Rhizomes”’
Devji, Faisal - from Landscapes of the Jihad: Militancy, Morality, Modernity (“Preface;” “Monotheistic
Geographies”)
Edwards, Brent Hayes - from The Practice of Diaspora: Literature, Translation, and the Rise of Black
Internationalism (“Inventing the Black International: George Padmore and Tiemoko Garan Kouyaté”)
Fanon, Frantz - from Black Skin White Masks (“The Fact of Blackness”)
_____ - from The Wretched of the Earth (“On National Consciousness”)
Fleischhaur, Carl and Beverly Brannan - from Documenting America, 1935-1943 (Introduction)
Foley, Barbara - “‘In The Land of Cotton’: Economics and Violence in Jean Toomer’s Cane”
Forrest-Thomson, Veronica - from Poetic Artifice (“Preface;” “Introduction”)
Foucault, Michel - from The Birth of Biopolitics: Lectures at the Collège de France, 1978-1979 (Lecture I)
_____ - from Discipline and Punish (“Panopticism”)
_____ - “Of Other Spaces”
_____ - “Space, Knowledge, and Power”
Freud, Sigmund - “Mourning and Melancholia”
_____ - “The Uncanny”
Garramuño, Florencia - from La Experiencia Opaca (pp. 91-129)
Garza, Cristina Rivera - from Había Mucha Neblina o Humo o No Sé Qué (Ch 4 - “Angelus Novus
Sobre El Papaloapan”
Gilroy, Paul - from Against Race: Imagining Political Culture Beyond the Color Line (Ch 4 - “Hitler Wore
Khakis: Icons, Propaganda, and Aesthetic Politics;” Ch 6 - “The Tyrannies of Unanimism”)
_____ - from The Black Atlantic: Modernity and Double Consciousness (“Preface” and “Chapter 1:
The Black Atlantic as Counterculture to Modernity”)
Glissant, Édouard - from Poetics of Relation (“Section I: Approaches;” “Transparency and Opacity;”
“Section V: Poetics”)
Gramsci, Antonio - from The Gramsci Reader (“Hegemony, Relations of Force, Historical Bloc;”
“Popular Culture”)
_____ - from The Prison Notebooks (“Notes on Italian History;” “The State;” “State and
Parties”)
Gregory, Derek - from Geographical Imaginations (“Introduction;” “Geography and the
World-as-Exhibition;” “Geography and the Cartographic Anxiety”)
Habermas, Jürgen - “Modernity’s Consciousness of Time and Its Need for Self-Reassurance.”
Hahn, Steven - from A Nation Under our Feet (Ch 6 - “Of Paramilitary Politics”)
Hall, Stuart - from The Hard Road to Renewal: Thatcherism and the Crisis of the Left (Chs 8, 10)
Hardt, Michael and Antonio Negri - from Empire (“Preface;” “1.1 World Order”)
Harris, Joseph E. - from African-American Reactions to War in Ethiopia, 1936-1941 (Chs 2-4)
Harvey, David - “Between Space and Time: Reflections on the Geographical Imagination”
_____ - from Spaces of Hope (“The Spaces of Utopia;” “Dialectical Utopianism”)
Heidegger, Martin - “The Age of the World Picture”
_____ - “The Origin of the Work of Art”
Hobsbawm, Eric J. - “The Apogee of Nationalism: 1918-1950”
Hutchinson, George - “Jean Toomer’s ‘Cane’ and the Ambiguity of Identity”
Ingold, Tim - “The Temporality of the Landscape”
Jaguaribe, Beatriz and Mauricio Lissovsky - “The Visible and the Invisibles: Photography and Social
Imaginaries in Brazil
Jakobson, Roman - “The Closing Statement: Linguistics and Poetics”
James, CLR - “After Hitler, Our Turn”
_____ - “Why Negros Should Oppose the War”
Jameson, Fredric - “Of Islands and Trenches: Naturalization and the Production of Utopian
Discourse”
_____ - from The Political Unconscious (“Preface;” “Ch. 1 - On Interpretation: Literature as a Socially
Symbolic Act,” Section I)
_____ - from Postmodernism, or, The Cultural Logic of Late Capitalism (Chs. 1-2)
Jay, Martin - from Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (Intro and
Ch. 1)
Kallis, Aristotle - “The ‘Fascist Effect’: On the Dynamics of Political Hybridization in Inter-War
Europe”
Kant, Immanuel - from Critique of Pure Reason (Preface and Introductions A and B)
_____ - from Critique of the Power of Judgment (Excerpts from First and Second Books)
Kelley, Robin D.G. - from Freedom Dreams: The Black Radical Imagination (Ch 6: “Keepin’ it (Sur)real:
Dreams of the Marvelous”
Kinder, Marsha - “The Exterminating Angel: Exterminating Civilization”
Kristeva, Julia - from Powers of Horror: An Essay on Abjection (“Approaching Abjection”)
Lacan, Jacques - “The Mirror Stage as Formative of the Function of the I as Revealed in
Psychoanalytic Experiences”
_____ - “The Signification of the Phallus”
Lefebvre, Henri - from The Production of Space (“Plan of the Present Work”)
Levi-Strauss, Claude - “A Writing Lesson”
Librandi Rocha, Marilia - “Sertao, City, Saudade”
Longinus - from On Sublimity (NATC Excerpt)
Mackey, Nathaniel - “Sound and Sentiment, Sound and Symbol”
Majluf, Natalia - “Pattern-Book of Nations: Images of Types and Costumes in Asia and Latin
America, 1800-1860”
Martí, José - “Nuestra América”
Marx, Karl - from Capital, Vol. I (Chs. 26, 33)
_____ - from Economic and Philosophic Manuscripts of 1844 (“Alienated Labor”)
_____ - from The German Ideology (Excerpt from Pt. I, “On Feuerbach”)
_____ - “Theses on Feuerbach”
Masiello, Francine - from The Senses of Democracy (pp. 198-213, 225-231)
Massaquoi, Hans - from Destined to Witness: Growing Up Black In Nazi Germany (pp. 1-20)
Massey, Doreen - from Space, Place, and Gender (Part III: Space, Place, and Gender)
Mazower, Mark - from No Enchanted Palace: The End of Empire and the Ideological Origins of the United
Nations (Ch 1: “Jan Smuts and Imperial Internationalism”)
Mbembe, Achille - “Necropolitics”
McKittrick, Katherine - from Demonic Grounds: Black Women and the Cartographies of Struggle
(Introduction, Chs 1-3)
_____ - “Mathematics Black Life”
McLuhan, Marshall - from Understanding Media: The Extensions of Man (“The Medium is the Message”
and “Challenge and Collapse”)
Meriwether, James H. - from Proudly We Can Be Africans: Black Americans and Africa 1935-1961 (Chs 1
& 6)
Millichamp, Joseph - “James Agee, Walker Evans, and the Dialectic of Documentary Representation
in Let Us Now Praise Famous Men”
Mitchell, W.J.T. - from Landscape and Power (“Introduction” and “Imperial Landscape”)
Mosse, George - from The Nationalization of the Masses: Political Symbolism and Mass Movements in
Germany from the Napoleonic Wars Through the Third Reich (Chs. 1-2)
Nadeau, Maurice - from The History of Surrealism (Chs. 1-2, 4, 8, 16)
Nietzsche, Frederick - from The Birth of Tragedy (“Attempt at Self-Criticism;” “Preface;” Chs. 1-18)
_____ - from The Genealogy of Morality (“Preface” and “First Treatise”)
Olson, Charles - “Human Universe”
_____ - “Projective Verse”
Ong, Walter J. - from Orality and Literacy (“Writing Restructures Consciousness” and “Print, Space,
and Closure”)
Padrón, Ricardo - from The Spacious Word (Excerpts from Chs 1-2, Ch. 3)
Paxton, Robert O. - “The Cultural Axis” (New York Review of Books)
Penny, Daniel - “#Milosexual and the Aesthetics of Fascism”
Pennybacker, Susan D. - from From Scottsboro to Munich: Race and Political Culture in 1930s Britain
(Introduction, Ch 2, Conclusion)
Plato - from Republic (Book 7, 10)
Pratt, Mary Louise - from Imperial Eyes (Chs. 1-2)
Robinson, Cedric - from Black Marxism: The Making of the Black Radical Tradition (“The Formation of
an Intelligentsia”)
Ross, Kristin - from The Emergence of Social Space: Rimbaud and the Paris Commune (“Introduction;” “The
Transformation of Social Space.”)
Rosso, Alfredo - “The Political Doctrine of Fascism”
Said, Edward - from Orientalism (“Introduction”)
Schmitt, Cannon - “Interpret or Describe”
Silliman, Ron - “The New Sentence”
Silvestri, Graciela - from El Lugar Común: Una historia de las figuras de paisaje en el Río de la Plata
(Excerpts)
Sontag, Susan - “Fascinating Fascism”
_____ - from On Photography (pp. 3-23)
Spivak, Gayatri Chakravorty - “Can the Subaltern Speak?”
Stein, Gertrude - “Composition as Explanation”
_____ - “The Gradual Making of the Making of Americans”
Traverso, Enzo - from Left-Wing Melancholia: Marxism, History, and Memory (Preface and Ch 1)
Trouillet, Michel-Rolph - from Haiti: State Against Nation (Introduction, Chs 1-2, Ch 5 selections)
Von Eschen, Penny M. - from Race Against Empire: Black Americans and Anti-Colonialism (Chs 1, 4, 7)
Films (20)
A Vigilante (dir. Daggar-Nickson, 2018)
Chicago Boys (dir. Fuentes and Valdeavellano, 2015)
Colette (dir. Westmoreland, 2018)
Eighth Grade (dir. Burnham, 2018)
Ejercicios de Memoria (dir. Encima, 2016)
Father of the Bride (dir. Shyer, 1991)
The Favorite (dir. Lanthimos, 2018)
Fyre (dir. Smith, 2019)
Fyre Fraud (dir. Furst and Nason, 2019)
Jennifer’s Body (dir. Kusama, 2009)
The Man by the Shore (dir. Peck, 1993)
La Mujer del Eternauta (dir. Aliaga, 2011)
Neruda (dir. Larraín, 2016)
Nostalgia de la Luz (dir. Guzmán, 2010)
Private Life (dir. Jenkins, 2018)
Roma (dir. Cuarón, 2018)
Tag (dir. Tomsic, 2018)
Terminator II: Judgment Day (dir. Cameron, 1991)
Vice (dir. McKay, 2018)
Vox Lux (dir. Corbet, 2018)
Y Tu Mamá También (dir. Cuarón, 2001)