Red Mosquito

epilogue wrote:A bit of a bummer. Was hoping for a rave review. I'm still excited to give it a go, just a little less now.

Sorry. Very good beginning, middle is decent, ends really well…all in 36 minutes.

liebzz wrote:

epilogue wrote:A bit of a bummer. Was hoping for a rave review. I'm still excited to give it a go, just a little less now.

Sorry. Very good beginning, middle is decent, ends really well…all in 36 minutes.

I checked out the new Kasey Musgraves album this morning, Deeper Well. I don't know if the album is one of the best of 2024 as a whole, but the first 3 songs that kick it off are excellent. I'm not normally a big fan of the alt-country twangy female stuff, but this ain't bad at all.

01. Cardinal
02. Deeper Water
03. Too Good to be True

Some friends of mine put out a cool album today, if anyone's in the mood for Argentinian lesbian garage rock: https://open.spotify.com/album/0deIeSsY ... LVTHW85eGQ

Higgs wrote:I checked out the new Kasey Musgraves album this morning, Deeper Well. I don't know if the album is one of the best of 2024 as a whole, but the first 3 songs that kick it off are excellent. I'm not normally a big fan of the alt-country twangy female stuff, but this ain't bad at all.

01. Cardinal
02. Deeper Water
03. Too Good to be True

Cardinal has been getting solid rotation on the radio station I tune in to, haven't given the whole album a spin yet but I think Joe was a fan here as well.

Big fan.

I hate country music usually but zach bryan is the fuckin man (not even sure he's technically "country")

Dropped another gem on the 4th of july

Looking forward to:

Thee Oh Sees
Father John Misty
Nick Cave & the Bad Seeds
KGLW
Fontaines DC
MJ Lenderman
Amyl & the Sniffers (maybe this year?)

i got bugs wrote:I hate country music usually but zach bryan is the fuckin man (not even sure he's technically "country")

Dropped another gem on the 4th of july

If Zach isn't Country then nothing is.

zeb wrote:Looking forward to:

Thee Oh Sees
Father John Misty
Nick Cave & the Bad Seeds
KGLW
Fontaines DC
MJ Lenderman
Amyl & the Sniffers (maybe this year?)

Didn't know there was a new FJM record!

Take looking forward to MJL, though. For some reason my expectations are really high for that one even though I'm not necessary a huge MJ guy. Just got a feeling about it.

epilogue wrote:

zeb wrote:Looking forward to:

Thee Oh Sees
Father John Misty
Nick Cave & the Bad Seeds
KGLW
Fontaines DC
MJ Lenderman
Amyl & the Sniffers (maybe this year?)

Didn't know there was a new FJM record!

Take looking forward to MJL, though. For some reason my expectations are really high for that one even though I'm not necessary a huge MJ guy. Just got a feeling about it.

FJM has been posting clips on social. No actual announcement as of yet.

I have high expectations for the Lenderman album.

Yeah the FJM and Amyl records aren't announced but they're pretty likely to come out over the next six months.

Did I miss anything of note for the rest of the year?

epilogue wrote:

i got bugs wrote:I hate country music usually but zach bryan is the fuckin man (not even sure he's technically "country")

Dropped another gem on the 4th of july

If Zach isn't Country then nothing is.

I mean I guess what I meant to say is I hate pop country, and he's far from those guys

I really enjoy almost everything I have heard from Public Service Broadcasting. I enjoy the beats and the quirkiness of the recordings they use. They are releasing a new album in October apparently.

Here's the lead single "Electra"

Sick AF. You've done it again, Higgsy.

Nice -- his album from a few years ago with Pharaoh Sanders and the London Symphony Orchestra is amazing, probably my favorite album from that year. I need to listen to that again. I like the track shared in the article -- perhaps a bit less than the stuff on the album with Pharaoh, but admittedly that one has elements more naturally in my wheelhouse.

This posthumous live album from Ron Miles (and his esteemed colleagues) -- released this year, recorded 2011 -- has been taking up a lot of my air space lately:

tragabigzanda wrote:New Floating Points album out 9/13. Tentatively a big from me, though I’m disappointed to hear he’s stepping back from the classical and jazz elements that have been focal points of his last couple albums.

https://mixmag.net/read/floating-points ... ingle-news

The long serving afternoon show host of the radio station I listen to in the car recently quit to go onto other things. I had a love hate relationship with the dude.

He was earnest AF and concerned with mental health and well being, had great taste in tunes and would randomly do these "resets" where I could find myself in peak hour traffic listening to some gorgeous ambient tune, suddenly my usual simmering road rage gone for the moment.

He would just as randomly throw in a "rave cave" tune as well, with Underworld or The Prodigy blaring as I tailgate the EV in front.

His last show he chose to sign off with Silhouettes I, II & III. It was choice.

tragabigzanda wrote:This is lovely, I'll spin the whole thing this afternoon. The more I dig into Frisell, the more I find there's a particular...playful kindness...that runs throughout his works, and generally seems to be lacking from any other modern jazz I hear (where playfulness is often supplanted by showmanship, and kindness by politeness, which together translates to my ears as conceited blandness).

Over the past few years I've stumbled, somewhat unintentionally, into a bunch of albums that feature Frisell as a sideman (Ron Miles, Charles Lloyd, Paul Motian, Gregoire Maret, Jan Garbarek), and I think one really discerns the quality you describle from his playing in those settings, even more so than on his own records (though I can certainly hear what you are describing there too). The way he supports and gives space to other musicians is so generous and sympathetic (again, sometimes even on his own records, at times to a fault!), elevating their contributions while sacrificing none of what makes his own playing unique. He has such a distinct sound that you'd think having his signature all over so many records would get tiresome, but it doesn't at all -- it all just feels like it has such an inherent goodness to it.