Red Mosquito

Ms Harmless wrote:my biggest issue is all the over-voweeewwweaal-izing he's doing, I'd hoped we were over that

Maybe this is what has been bothering me with him lately? I can never describe it but I might need to pay more attention to this.

Ms Harmless wrote:this is like "Jeff fought to keep Pendulum on the record" but the exact opposite

“Guys, I got this! If we lift the melody off a song that a girl dedicated to her dad and call it our song that a dad dedicated to his girl, then no one is ever going to figure anything’s wrong, ever!”

“Okay, Ed.”

Fattie_Vedder wrote:

Antelope wrote:

mattyv1908 wrote:Vocal melody sounds like it’s copied from the closing song in the movie Moneyball that his daughter records for him, only that song was executed better.

This is the song, and I agree the vocal melody sounds similar.

If people were pissed that PJ lifted Going to CA for GTF…

Thats more a copy of any Jason Mraz song than this one…

Its one Pop song on the record…its no worse than future days, the haves, just breathe…if this is it…the album could end up being more hard rock mid tempo stuff…thats cool

For all we all know this could all just be an epic troll by Josh K.

The way he says haaaaaaayyyuuund" at twenty seconds makes me want to punch myself

Ed's allowed at least one cringefest per album, it's in his contract

tragabigzanda wrote:I think it's important to orient our rage away from the sentiment of the song, and towards how awful the production sounds.

You guys see why production matters, yeah? Like how maybe this could be an enjoyable song if it didn't sound like the aural equivalent of a Kia covered in STDs?

What did the Kia have sex with to get STD’s? A tugboat?

tragabigzanda wrote:I think it's important to orient our rage away from the sentiment of the song, and towards how awful the production sounds.

You guys see why production matters, yeah? Like how maybe this could be an enjoyable song if it didn't sound like the aural equivalent of a Kia covered in STDs?

No we absolutely must direct all our rage towards it being a STOLEN goddamn cringy pop song

I like it. I’m also glad that it’s apparently one of one on the album that are like this.

It sounds to me like the band is aware that the song is super poppy and cheesy, so they are intentionally trying to cover that up with a "tough guy" approach.

Pumping bass line - check
Fuzzy guitars - check
Pounding heavy metal drums - check
F bombs! - check

I’m waiting until the full song is released. I presume it will be in the next few days. Snippets are nearly always just an exercise in frustration. Did you not just learn this from the latest set of snippets?

bluestate wrote:It sounds to me like the band is aware that the song is super poppy and cheesy, so they are intentionally trying to cover that up with a "tough guy" approach.

Pumping bass line - check
Fuzzy guitars - check
Pounding heavy metal drums - check
F bombs! - check

Blistering solo?

Do you think Ed watched Moneyball and was so moved by Brad’s performance that he thought to himself what if i freaky fridayed the situation?

This is a nice melody that could have sounded great if it weren’t for bad production and the fact that it’s pseudo stolen. And the lovely sentiment is marred by the fact that it seems taken from an original song in a movie. Can we agree that Ed is the weak link of this band now and shouldn’t be the leader anymore? What is happening right now? Am I overreacting?

Wish this band would stop with the pussy ballads and return to the blistering rockers like Daughter, Small Town and Thin Air

lecherouslittlestump wrote:Wish this band would stop with the pussy ballads and return to the blistering rockers like Daughter, Small Town and Thin Air

I prefer blistering ballads and pussy rockers.

Rank your favorite stolen (arguably) PJ songs:

1. Given to Fly
2. Something Special