Re: Josh Evans the producer
Posted: Thu January 16, 2020 9:51 pm
seems like an amiable young man.
does stone even play guitar anymore? the last couple shows i watched on youtube it seems he can't wait to have his hands off his guitar and just stares at matt.Leatherhead wrote:Hoping for some awesome guitar stuff on Gigaton with this guy behind the controls.
Stone often looks bored and not in the moment. It's like he's going through the motions of his day job and daydreaming about finishing and going home to play video games.adamhewett wrote:does stone even play guitar anymore? the last couple shows i watched on youtube it seems he can't wait to have his hands off his guitar and just stares at matt.Leatherhead wrote:Hoping for some awesome guitar stuff on Gigaton with this guy behind the controls.
i know it sounds dick'sh to say, but i'm not kidding. dude is in a 15 year "less is more/simple means more" thing.
careerist.Sgt. Crackpot wrote:Stone often looks bored and not in the moment. It's like he's going through the motions of his day job and daydreaming about finishing and going home to play video games.adamhewett wrote:does stone even play guitar anymore? the last couple shows i watched on youtube it seems he can't wait to have his hands off his guitar and just stares at matt.Leatherhead wrote:Hoping for some awesome guitar stuff on Gigaton with this guy behind the controls.
i know it sounds dick'sh to say, but i'm not kidding. dude is in a 15 year "less is more/simple means more" thing.
maybe i only go to mcdonald's for the fries. maybe i expect quality. maybe if that fryer is slacking for the paycheck someone should remind them there's an edward already doubling up his spot.verb_to_trust wrote:If you had to work with BoB and Ed on total crap, would you show up to work ready to go all out? Like, do you get mad at the guy running the fryer at McDonald's for not acting like he's changing the world?
i loved this interview when it came outSgt. Crackpot wrote:adamhewett wrote:
oh look, it's josh evans. thayil's guitar tech.
not BOB's.stip wrote:how many xmas card lists did this guy just get on?
Nice writeup, thanks. Talk about Jeff and Stone when you get a chance.tragabigzanda wrote:tragabigzanda wrote:I have literally no criticisms -- I think it sounds amazing. It's the best sounding PJ track since Riot Act, and it really bring a level of atmospherics into play not heard since Binaural (NAIS and Of The Girl), but it's still its own thing.evenslow wrote:need some production specific criticism from trag and mcp and spenno here.
I'm surprised to hear that's a live snare track; I had guessed based on the earlier snippets that it was a live kick and toms, but that the snare was sampled. But it's an incredibly easy sound to get with a live snare: dampen the thing so that there's no decay, then add some distortion/extremely heavy compression on your snare track.
Other things I love? How those tom hits fill out the space in the front of the mix, with the synth and layered vocals filling up the wider sides of the stereo field. Ed's voice is mixed at a comfortable level, not overtaking the track at all. Mike's guitar is sitting right in the pocket, and the shimmery acoustic guitar really makes the chorus feel lush.
But most importantly, and this is HUGE if it's continued throughout the album: Ed doesn't seem to be using a condenser mic anymore. I've always believed he was using a dynamic mic from Ten-Binaural, and then he switched over to a condenser mic on Riot Act...
They're very different vocal mics, with a condenser mic picking up WAY much more of the breath and air around a singer's voice. It's been such a confounding creative choice given how his voice was aging. By going back to a dynamic mic, we're not stuck hearing all every little breath he takes, and we can just focus on his lovely baritone. It's much more flattering on his current voice, and I hope it's applied through the entire album.
It's almost like Ed hasn't sounded awful on the last couple albums. Here he sounds incredible -- older, less limber in his larynx, and yeah, it's an obvious Byrne approach. But to my ears it fucking rules, and it's so great to hear a deep, layered, colorful mix built around a flattering capture of his voice, rather than the LB approach of "Everything's loud and up front, but nothing's louder or more up front than Ed!"
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