Re: Spritzy punkers
Posted: Thu February 20, 2020 1:46 pm
I think it sounds very like The Clash
I don’t know. The open chords. The rhythm. It’s not all power chord and down strokes that i generally associate a punk song with.theplatypus wrote:Sorry, all the musical parts are there. By this logic Bad Religion wouldn't be a punk bandStrat wrote:Leatherman isn’t punk for fucks sake. It’s basically a folk song.
Strat wrote:It bounces. It doesn’t thrash or propel.
Gonna have to disagree with you all idiots here and this is where I part ways from rm. good luck. Morons
Hold on a second, all this time I was talking about the Touring Bank 2000 version of "Leatherman" because that's the only version I've ever heard. I just listened to the studio version (for the first time ever!) and it has a completely different rhythm, feel, and aesthetic, and I agree with you that I would not call it punk at allStrat wrote:It bounces. It doesn’t thrash or propel.
Gonna have to disagree with you all idiots here and this is where I part ways from rm. good luck. Morons
Are you pimping me here to keep me around rm?theplatypus wrote:Hold on a second, all this time I was talking about the Touring Bank 2000 version of "Leatherman" because that's the only version I've ever heard. I just listened to the studio version (for the first time ever!) and it has a completely different rhythm, feel, and aesthetic, and I agree with you that I would not call it punk at allStrat wrote:It bounces. It doesn’t thrash or propel.
Gonna have to disagree with you all idiots here and this is where I part ways from rm. good luck. Morons
Well it does kind of sound like Hüsker Dü at some pointstheplatypus wrote:Hold on a second, all this time I was talking about the Touring Bank 2000 version of "Leatherman" because that's the only version I've ever heard. I just listened to the studio version (for the first time ever!) and it has a completely different rhythm, feel, and aesthetic, and I agree with you that I would not call it punk at allStrat wrote:It bounces. It doesn’t thrash or propel.
Gonna have to disagree with you all idiots here and this is where I part ways from rm. good luck. Morons
I do agree that it's a folk song in its narrative, maybe a bit of Johnny Cash in there (and Neil Young of course)theplatypus wrote:Hold on a second, all this time I was talking about the Touring Bank 2000 version of "Leatherman" because that's the only version I've ever heard. I just listened to the studio version (for the first time ever!) and it has a completely different rhythm, feel, and aesthetic, and I agree with you that I would not call it punk at allStrat wrote:It bounces. It doesn’t thrash or propel.
Gonna have to disagree with you all idiots here and this is where I part ways from rm. good luck. Morons
No, I'd legitimately never heard the studio version beforeStrat wrote:Are you pimping me here to keep me around rm?theplatypus wrote:Hold on a second, all this time I was talking about the Touring Bank 2000 version of "Leatherman" because that's the only version I've ever heard. I just listened to the studio version (for the first time ever!) and it has a completely different rhythm, feel, and aesthetic, and I agree with you that I would not call it punk at allStrat wrote:It bounces. It doesn’t thrash or propel.
Gonna have to disagree with you all idiots here and this is where I part ways from rm. good luck. Morons
Don't leave over a spritzy punker thread, strat.Strat wrote:Are you pimping me here to keep me around rm?theplatypus wrote:Hold on a second, all this time I was talking about the Touring Bank 2000 version of "Leatherman" because that's the only version I've ever heard. I just listened to the studio version (for the first time ever!) and it has a completely different rhythm, feel, and aesthetic, and I agree with you that I would not call it punk at allStrat wrote:It bounces. It doesn’t thrash or propel.
Gonna have to disagree with you all idiots here and this is where I part ways from rm. good luck. Morons
I generally with all of this. But, U has to be included.evenslow wrote:man, people are really having a lot of trouble with the whole "spritzy" part of this. you can't just throw out any fast punk song.
spritzy is bubbly, can't-sit-still, sunny, giggly, hyper, bouncy. aka not anything off of vitalogy. whipping is not spritzy for god's sake.
stip is probably right that mankind is patient zero but that feels weird with stone on vocals. it's really more of a post ST phenomenon to be honest. they seemed to double down on that specific type of song as an automatic part of their repertoire after the self-serious approach of that record.
the fixer absolutely needs to be on the official list.
"Comatose" is 100% a punk song, one of the few Pearl Jam songs I would categorize as pure examples of that genre ("Spin the Black Circle" is another one), but it's not spritzyAnders wrote:I always associate punk with 70s UK bands, and very few Pearl Jam songs sounds like that. But a song like Comatose probably wouldn't have existed if it wasn't for punk existing first.
The Clash has some good stuff, but their good stuff mostly isn't punk imo. More rock or new wave.Ms Harmless wrote:I think it sounds very like The Clash
as I said earlier, I think SBWM captures post-punk / new wave, which is why I mentioned The Clash, since they did bothAnders wrote:The Clash has some good stuff, but their good stuff mostly isn't punk imo. More rock or new wave.Ms Harmless wrote:I think it sounds very like The Clash
No, not spritzy at all. Agree on Comatose, but feel STBC leans harder towards rock, but it does have that punk feel that didn't exist before NY Garage or UK Punk.theplatypus wrote:"Comatose" is 100% a punk song, one of the few Pearl Jam songs I would categorize as pure examples of that genre ("Spin the Black Circle" is another one), but it's not spritzyAnders wrote:I always associate punk with 70s UK bands, and very few Pearl Jam songs sounds like that. But a song like Comatose probably wouldn't have existed if it wasn't for punk existing first.