Re: Random Pearl Jam References
Posted: Tue April 29, 2014 8:44 pm
these shorts are the ultimate collaboration of modern grunge

spike wrote:http://www.blueandcream.com/w_Whats_New/R13S4-25.html
Yeah, that price..bodysnatcher wrote:spike wrote:http://www.blueandcream.com/w_Whats_New/R13S4-25.html![]()
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That model looks terrible. Hideous garment.Heathen wrote:Think of the price as a fine you have to pay for dressing like that in 2014.
There’s a B-side from the rock band Pearl Jam titled “Sweet Lew,” written by guitarist Jeff Ament (the “Lew” in its title refers to Jabbar’s Christian name). If you listen to the song casually, you wouldn’t immediately perceive it as a criticism of Abdul-Jabbar, as the lyrics are mostly complimentary and kind of juvenile ["Wilt the Stilt had nothing on you / Lambchops and Afro-do, Milwaukee Bucks and a barbecue"]. But Ament’s interior motive for writing the song was based on a negative encounter he had with Abdul-Jabbar upon meeting him at a charity event. Ament (a lifelong hoop fan and a decent player as a high school student in Montana) was deeply hurt by Abdul-Jabbar’s abject lack of interest toward his personal fandom. He didn’t even pretend to care. This is telling. What made Pearl Jam dissimilar from their platinum-selling peers (most notably Nirvana) was that — despite being completely suffocated by a level of fame they did not anticipate — they still felt an obligation to appreciate the people who bought their records. Perhaps they did this naturally, or perhaps they did this as a social compulsion. Either way, Pearl Jam has always felt a responsibility to return whatever adoration was directed toward their existence. The motive of that return is beside the point, because the effort is what matters. It’s certainly possible to dislike Pearl Jam’s music, but you can’t hate them as people, unless a) you believe they are somehow fake and b) you have some kind of teenage punk fixation on realness. To any normal person, a facsimile of gratitude is enough; that facsimile is an acceptable amount of emotional access. When Ament met Abdul-Jabbar, all Kareem needed to say was, “Thanks, man. That means a lot. Good luck with your life.” He would not have needed to mean any of those words. Even if he’d been transparently acting, it would have been enough to satisfy a person who had pre-decided to love him. But Abdul-Jabbar can’t do that. He can’t ignore the stupidity of that false relationship, which is why a song like “Sweet Lew” exists. Kareem (being Kareem) loves jazz music — but even if he loved rock, he’d never relate to Pearl Jam (except for maybe “Corduroy”). He would prefer mid-period Rush: “I can’t pretend a stranger is a long-awaited friend.“
To be quite honest, fib, I never got past 20 seconds of that song.Lament wrote:But, I mean, you've heard the song before, right?
It's about a 7 foot 2 dude with an afro and lambchops who wore #33 for the Milwaukee Bucks, was often compared to Wilt Chamberlain, made a movie with Bruce Lee, and at one point was named "Lew." I didn't think you needed a message board or Chuck Klosterman to figure out who it was.
Did you know Bu$hleaguer is about George W. Bush?

I'll make you a pair of shorts and built in flannel tee just like that for $100! That's like 80% off - any takers?Thejambi wrote:Price: $495.00