Re: Waiting For Stevie
Posted: Wed September 11, 2024 5:30 pm
Crooning?
Oh yeah he does kinda croon
Oh yeah he does kinda croon
Spot on.stip wrote:The riff feels more like an Eddie riff than say a stone riff, and so less Ten in its feel. . The elements that are most Ten are the full lean into anthemic bombast, and Eddie crooning over the outro, which is in EVERY ten climax and then basically drops out of the catalog. And it is expansive in a way that feels very Ten. It is ten in its influences and performances. But not the riff.dimejinky99 wrote:McParadigm wrote:The riff doesn’t feel like ten to me at all. It sounds more like something Ed would come up with around the time of dead man….just played with 180% more rock and roll bluster.
Cmon McP
There’s nothing else comes close. The whole whole song is pure Ten
It almost stands out as it’s so different and distinct to the rest on DM
No?
I had originally typed that in my post- fully agreetragabigzanda wrote:Would've been a horrible match!RockPusher wrote:trag, will you ever forgive Pearl Jam for not having had Albini as their producer?
is that the guy from the x-files?tragabigzanda wrote:A return to Tchad Blake is my dream producer, but my #2 is Alan Moulder
Hey, that wardrobe isn't going to pay for itself!tragabigzanda wrote:To clarify, he is rolling with "Pay me a day rate for my session time, and also a portion of your publishing revenues, in perpetuity, because I've helped you write these songs."RockPusher wrote:Spot on.stip wrote:The riff feels more like an Eddie riff than say a stone riff, and so less Ten in its feel. . The elements that are most Ten are the full lean into anthemic bombast, and Eddie crooning over the outro, which is in EVERY ten climax and then basically drops out of the catalog. And it is expansive in a way that feels very Ten. It is ten in its influences and performances. But not the riff.dimejinky99 wrote:McParadigm wrote:The riff doesn’t feel like ten to me at all. It sounds more like something Ed would come up with around the time of dead man….just played with 180% more rock and roll bluster.
Cmon McP
There’s nothing else comes close. The whole whole song is pure Ten
It almost stands out as it’s so different and distinct to the rest on DM
No?
And again, for the small number of hand-wringers worried about Watt's songwriting credits on this one, he's got a music songwriting credit on every track on the album. No, that does not mean this isn't a Pearl Jam album. It's just how he rolls. BO'B, Parashar, and others have had as much influence in other ways with this band.
Would be thrilled with either of these.tragabigzanda wrote:A return to Tchad Blake is my dream producer, but my #2 is Alan Moulder
I think I would give up all hope if the band enlisted either of those other dudes.VinylGuy wrote:i would want:
-Jack White
-Josh Evans
-Rick Rubin
stip wrote:The riff feels more like an Eddie riff than say a stone riff, and so less Ten in its feel. . The elements that are most Ten are the full lean into anthemic bombast, and Eddie crooning over the outro, which is in EVERY ten climax and then basically drops out of the catalog. And it is expansive in a way that feels very Ten. It is ten in its influences and performances. But not the riff.dimejinky99 wrote:McParadigm wrote:The riff doesn’t feel like ten to me at all. It sounds more like something Ed would come up with around the time of dead man….just played with 180% more rock and roll bluster.
Cmon McP
There’s nothing else comes close. The whole whole song is pure Ten
It almost stands out as it’s so different and distinct to the rest on DM
No?
tragabigzanda wrote:Would've been a horrible match!RockPusher wrote:trag, will you ever forgive Pearl Jam for not having had Albini as their producer?
Birds in Hell wrote:Would be thrilled with either of these.tragabigzanda wrote:A return to Tchad Blake is my dream producer, but my #2 is Alan Moulder
I thought Gigaton was a minor triumph in both creative approach and sonics, so I would've been happy to see them continue plugging away in the warehouse with Josh Evans for another few records.
dimejinky99 wrote:Birds in Hell wrote:Would be thrilled with either of these.tragabigzanda wrote:A return to Tchad Blake is my dream producer, but my #2 is Alan Moulder
I thought Gigaton was a minor triumph in both creative approach and sonics, so I would've been happy to see them continue plugging away in the warehouse with Josh Evans for another few records.
Exactly this ^^
Except gigaton is a major triumph there’s nothing minor about it.