Red Mosquito

Chris_H_2 wrote:

Simple Torture wrote:

Chris_H_2 wrote:

Monkey_Driven wrote:

Mecca wrote:

Chris_H_2 wrote:

darth_vedder wrote:Regarding the travel complaint, I rewatched the series for a 3rd time before the start of season 8, and throughout there has been some questionable / inconsistent travel times. Maybe not as bad as s7, but throughout there have been some example of people getting places either very fast or slowly. Long story short, season 7's time to travel gripes aren't as bad as people make them out to be.

the worst one in Season 7 had to be the opening of (I believe it was) the last episode where bronn and jamie are standing on the ramparts of casterly rock looking down on the unsullied, and literally the next scene cut to bronn walking in to the dragon pits at kings landing where he sees tyrion for the first time. it was just so weird.

You mean Kings Landing?

Wasn't it Highgarden?

i think it was highgarden.

i just couldn't understand it. there was absolutely no segue. it was almost as if they cut a scene out between the two.

Didn't they get attacked by a dragon in between?

mecca's right. i just read a recap. they were on the walls in kings landing, not north. and so that makes more sense.

i'll shut up. carry on.

hang on, what about everyone at the dragon pit in king's landing, then the next scene is jon and dany and pals at dragonstone?

Yeah, I just wish there were more scenes of traveling. This could be the best show of all time they just devoted entire hour long episodes to silent, weeks long, boat and horse trips.

durdencommatyler wrote:Yeah, I just wish there were more scenes of traveling. This could be the best show of all time they just devoted entire hour long episodes to silent, weeks long, boat and horse trips.

I know you're kidding, but there are some good travel scenes. Remember Ned and Robert having lunch in a field in Season 1? Arya and the Night's Watch on the road north in Season 2? As the show's focus has shrunk, we've lost some of these things, and it's a shame, but traveling can be great stuff.

durdencommatyler wrote:Yeah, I just wish there were more scenes of traveling. This could be the best show of all time they just devoted entire hour long episodes to silent, weeks long, boat and horse trips.

I think people have forgotten just how much walking there was in LOTR.

I'm absolutely ok with them taking liberties with the amount of travel involved at this point. This is the home stretch, we don't need any more world building.

Ewoks incoming!

Would it be fair to say that Euron is the Todd Packer of Westeros? I bet at least one of his ships is named WLHUNG.

bune wrote:

Ewoks incoming!

This is when he visited Belfast and we all lost our minds cos some paper said he was making the Kenobi series there once GOT finished using that studio

Lucas: "Faster, more intense!"

Bran:

Spoiler: show

The video is quite funny and peak George. ‘No direction for you. I don’t care what happens to you’

*this also explains the clunky love scene with Jon and dany from attack of the clones

bune wrote:

Ewoks incoming!

oh so that's why the jon and dany scene sucked so hard

Classic Bspike

Simple Torture wrote:

durdencommatyler wrote:Yeah, I just wish there were more scenes of traveling. This could be the best show of all time they just devoted entire hour long episodes to silent, weeks long, boat and horse trips.

I know you're kidding, but there are some good travel scenes. Remember Ned and Robert having lunch in a field in Season 1? Arya and the Night's Watch on the road north in Season 2? As the show's focus has shrunk, we've lost some of these things, and it's a shame, but traveling can be great stuff.

You're totally right. There really are some great travel scenes in the show. But I think they key phrases in your post are "Season 1" and "Season 2."

If these dick weasels hadn't fucked up their planning and yearly writer's room break-downs, I'm not sure anyone would give a shit.

But here we are. At this stage in the game, I'm much more interested in necessary scenes. I don't need people in a field laying character groundwork. And I don't need 45 mins of Sam changing out bedpans. Every time they show that stuff, they're taking away something else. What AREN'T we seeing instead, you know?

Anyway... I just don't have the time jump issues that others have. Totally valid criticism, to be sure. Just not something that gets to me on a show with a lot of larger issues.

Simple Torture wrote:Lucas: "Faster, more intense!"

Bran:

Spoiler: show

durdencommatyler wrote:

Simple Torture wrote:

durdencommatyler wrote:Yeah, I just wish there were more scenes of traveling. This could be the best show of all time they just devoted entire hour long episodes to silent, weeks long, boat and horse trips.

I know you're kidding, but there are some good travel scenes. Remember Ned and Robert having lunch in a field in Season 1? Arya and the Night's Watch on the road north in Season 2? As the show's focus has shrunk, we've lost some of these things, and it's a shame, but traveling can be great stuff.

You're totally right. There really are some great travel scenes in the show. But I think they key phrases in your post are "Season 1" and "Season 2."

If these dick weasels hadn't fucked up their planning and yearly writer's room break-downs, I'm not sure anyone would give a shit.

But here we are. At this stage in the game, I'm much more interested in necessary scenes. I don't need people in a field laying character groundwork. And I don't need 45 mins of Sam changing out bedpans. Every time they show that stuff, they're taking away something else. What AREN'T we seeing instead, you know?

Anyway... I just don't have the time jump issues that others have. Totally valid criticism, to be sure. Just not something that gets to me on a show with a lot of larger issues.

I quite liked the bedpan/porridge montage. It was what, 2 minutes long? It established the passage of time and Sam's place in Oldtown quite effectively in a very visual way.

Much better than 14 scenes with the Faceless Men and an Arya getting stabbed and then running away(?) sequence.

Monkey_Driven wrote:

durdencommatyler wrote:

Simple Torture wrote:

durdencommatyler wrote:Yeah, I just wish there were more scenes of traveling. This could be the best show of all time they just devoted entire hour long episodes to silent, weeks long, boat and horse trips.

I know you're kidding, but there are some good travel scenes. Remember Ned and Robert having lunch in a field in Season 1? Arya and the Night's Watch on the road north in Season 2? As the show's focus has shrunk, we've lost some of these things, and it's a shame, but traveling can be great stuff.

You're totally right. There really are some great travel scenes in the show. But I think they key phrases in your post are "Season 1" and "Season 2."

If these dick weasels hadn't fucked up their planning and yearly writer's room break-downs, I'm not sure anyone would give a shit.

But here we are. At this stage in the game, I'm much more interested in necessary scenes. I don't need people in a field laying character groundwork. And I don't need 45 mins of Sam changing out bedpans. Every time they show that stuff, they're taking away something else. What AREN'T we seeing instead, you know?

Anyway... I just don't have the time jump issues that others have. Totally valid criticism, to be sure. Just not something that gets to me on a show with a lot of larger issues.

I quite liked the bedpan/porridge montage. It was what, 2 minutes long? It established the passage of time and Sam's place in Oldtown quite effectively in a very visual way.

Much better than 14 scenes with the Faceless Men and an Arya getting stabbed and then running away(?) sequence.

chocolate, vanilla and strawberry... as they say.

I haven't read all of your theories here or online but am I wrong in noticing that

Spoiler: show

the way that little kid was stapled to the wall by the night King looked a lot like the Targaryen house symbol?

E.H. Ruddock wrote:I haven't read all of your theories here or online but am I wrong in noticing that

Spoiler: show

the way that little kid was stapled to the wall by the night King looked a lot like the Targaryen house symbol?

The Children also use symbols like that (see: the layout of the stones where they created the Night King in Season 6). But yeah the spiral shape is certainly similar--if he's really "sending a message" maybe it's directed at a certain house?

Anyone in Boston going to sit on the iron throne at Primark tomorrow? We were thinking of hitting that up before heading back to DC

Simple Torture wrote:

E.H. Ruddock wrote:I haven't read all of your theories here or online but am I wrong in noticing that

Spoiler: show

the way that little kid was stapled to the wall by the night King looked a lot like the Targaryen house symbol?

The Children also use symbols like that (see: the layout of the stones where they created the Night King in Season 6). But yeah the spiral shape is certainly similar--if he's really "sending a message" maybe it's directed at a certain house?

No