Re: My least favorite album
Posted: Fri July 10, 2015 11:40 pm
My least favorite is also Lightning Bolt.
Wanna come over and cuddle?LetMeSleep wrote:So is a world with a shitty version of Cold Confession better than a world without it at all? Sure it'd be nice to have a lossless copy but until the reissue we won't. Even then maybe not.
*waves hand in a non-committal fashion*LetMeSleep wrote:So is a world with a shitty version of Cold Confession better than a world without it at all?
Maybe. But with the two batches already out there, if Pearl Jam came to me tomorrow and said they'd either release lossless copies of all those songs that were leaked, or leak another batch at 128kb/s I'd take the former.LetMeSleep wrote:So is a world with a shitty version of Cold Confession better than a world without it at all? Sure it'd be nice to have a lossless copy but until the reissue we won't. Even then maybe not.
Absolutely.cutuphalfdead wrote:Maybe. But with the two batches already out there, if Pearl Jam came to me tomorrow and said they'd either release lossless copies of all those songs that were leaked, or leak another batch at 128kb/s I'd take the former.LetMeSleep wrote:So is a world with a shitty version of Cold Confession better than a world without it at all? Sure it'd be nice to have a lossless copy but until the reissue we won't. Even then maybe not.
Hardly.BurtReynolds wrote:I should give Backspacer some credit for trying to be different, but when the result is such a complete and total embarrassment, I can't award any points for creativity. There is "going out of your comfort zone" and then there is "we have no idea what the fuck we are doing but we are going to record it anyway but let's hurry up I have to pick the kids up at daycare did I tell you I met Obama?"
Lightning Bolt is microwaved Pearl Jam: limp and lifeless. In fact, it's kind of like a Hot Pocket: overcooked from the outside, yet somehow ice cold in the middle. Seriously, how does one album sound simultaneously labored over and half-assed?
However, the decaying mass of gray goo that is Lightning Bolt vaguely resembles something that Pearl Jam could once do effortlessly, so I give it a slight edge. but let's face it: these are the worst of the worst.
you made this thread. Now lie in it.Django Butterworth wrote:Hardly.BurtReynolds wrote:I should give Backspacer some credit for trying to be different, but when the result is such a complete and total embarrassment, I can't award any points for creativity. There is "going out of your comfort zone" and then there is "we have no idea what the fuck we are doing but we are going to record it anyway but let's hurry up I have to pick the kids up at daycare did I tell you I met Obama?"
Lightning Bolt is microwaved Pearl Jam: limp and lifeless. In fact, it's kind of like a Hot Pocket: overcooked from the outside, yet somehow ice cold in the middle. Seriously, how does one album sound simultaneously labored over and half-assed?
However, the decaying mass of gray goo that is Lightning Bolt vaguely resembles something that Pearl Jam could once do effortlessly, so I give it a slight edge. but let's face it: these are the worst of the worst.
GET OFF MY LAWN.
YES! I have that one.darth_vedder wrote:I loved this one back in the day...durdencommatyler wrote:I was always so dubious of those things, but man I always ended up buying them. There was a decade there were I'd buy anything that had Pearl Jam on it.Django Butterworth wrote:I do too. I also miss the days of bootleg CDs. I had a Friday morning record store ritual to go check out what "imports" came in that week!durdencommatyler wrote:I kinda miss those old treasure hunt days. Where you couldn't get picky about bitrates and whatnot. You just took what you could get and the shitty quality didn't matter as much.
Quote of the day.BurtReynolds wrote:I agree with my opinion more.
Meh.Wendy Carlos's Twin wrote:Lightning Bolt and Avocado are easily their biggest pieces of shit.
Yield and Binaural are masterpieces.
I was fortunate to have a local record shop where the personnel were pretty understanding about this. We were 13 year-old kids with $7 per week allowances, and these guys understood that wasting $40 on a poor-sounding bootleg would have been a lot of lawns mowed and dog shit cleaned up for nothing. I suppose they figured that even if they went through half a dozen duds they'd eventually arrive at something that sounded good enough to us, which they always did. I maybe bought ten of these things over the years -- the last one was early in 1999 when i spent $35 for the Melbourne '98 show and it was pressed on CD-R. I was wary of buying any after that, and then of course shortly after that the official bootleg program was launched.LetMeSleep wrote:Most record shops didn't let you listen to the boots before purchase either. I got quite a few lemons because of this.