Red Mosquito

15showsandcounting wrote:

Ms Harmless wrote:

15showsandcounting wrote:

Ms Harmless wrote:regardless, the idea that someone who has "lived through it" is far more likely to arrive at <whatever albums> as their favourite is ridiculous

So, you don't think the culture of the early 90's had a different effect on an album than say when Gigaton was released, and no one other than some of us message board nerds gives a flying F about PJ?

that question has nothing to do with what I said

if I think "things were different then" because times have changed, that has zero bearing on which albums I think you're allowed to enjoy most: speaking "objectively", Riot Act wipes the floor with Ten in just about every way

Lol. That's all I got.

Kevin Davis wrote:There's absolutely a valuable perspective that comes from experiencing the music "as it happened,"

Kevin Davis wrote: my favorite albums are Yield, Riot Act, and No Code (in that order).

Val wrote:

Kevin Davis wrote:There's absolutely a valuable perspective that comes from experiencing the music "as it happened,"

My memory works in such a way that it pulls up visions of places I'd been to when I hear certain songs, because that's where I was when I'd first heard them.
It's like they are linked on a physical level.

Kevin Davis wrote:Daniel Levitin’s book “This Is Your Brain On Music” is another interesting read in this same ballpark.

unLEASHed wrote:

greendisease wrote:Anyone else seeing these cheeky instagram leaks from PJ from other stories?
easystreetrecords
silverplattersrecords
musicmillenium

Can’t workout how to screenshot in here but the official PJ insta has commented on each of them.

By searching #darkmatter on instagram i found some of those lyrics scattered on multiple record stores accounts (sorry for the caps, its from the copy paste):


1- “LET'S GET TO THE POINT
WE ARE ALL HEARD AND SEEN
LET'S GET TO THE POINT WE CAN BELIEVE”

2- “WE CAN BECOME
ONE LAST SETTING SUN
OR BE THE SUN
AT THE BREAK OF DAWN”

3- “WE USED TO LAUGH
WE USED TO SING
WE USED TO DANCE
WE HAD OUR OWN SCENE”

4- “I APOLOGIZE, SO SORRY 'BOUT THE TIMING
SOMETHING THAT I NEVER HAD
WAS THE UPPER HAND “

5- “THE ROAD WE TRAVELED FAR
ALL THE LIGHTS
AND SIGHTS WE SAW”

6- “WHEN WHAT YOU GET
IS WHAT YOU DON'T WANT
DON'T REACT, RESPOND”

7- “COMBING THROUGH THE WRECKAGE
POURING THROUGH THE SAND
SURROUNDED BY THE REMNANTS
WHAT WE COULD AND COULDN'T HAVE”

8- “VISITED BY THOUGHT
IS WHAT YOU DON'T WANT
HOW YOU ARE LIKE THE SUN
HIDING SOMEWHERE BEYOND THE RAIN”

9- “ARE WE AT WAR WITH EACH OTER?
ARE YOU AT WAR WITH YOURSELF?”

Leatherhead wrote:Those lyrics on #6....

Val wrote:

Leatherhead wrote:Those lyrics on #6....

Isn't "response" a type of "reaction"

Val wrote:

Leatherhead wrote:Those lyrics on #6....

Isn't "response" a type of "reaction"

Aunt_Claire_Foy wrote:

Val wrote:

Leatherhead wrote:Those lyrics on #6....

Isn't "response" a type of "reaction"

Ed being Clever Ed. Respond is dialog, react is VIOLENCE. He's practically MLK here.

Kevin Davis wrote:There's absolutely a valuable perspective that comes from experiencing the music "as it happened," and as someone who likes a lot of artists who are long dead or damn near, that perspective becomes increasingly valuable the further it becomes from the norm. When I occasionally come across stories from people who experienced the '50's jazz scene in NYC, or saw Bob Dylan live in 1966, or experienced Beatlemania as it happened, I perk up and listen. That stuff is interesting to me.

However, the idea that this makes a person's rankings or personal preferences any more "definitive" is ludicrous. In this regard, "lifelong fan with unique in-the-moment context" and "fresh-faced listener unburdened by historical or contextual baggage" are simply two different, equally compelling (and equally likely to devolve into overly self-assured idiocy) lenses through which to view the music. All fanbases will slowly morph from being defined wholly by the former to being defined wholly by the latter, so its dumb to begrudge the people on that far end of the spectrum their likely circumstantial moment of experience with the band. Time is on their side, after all.

FWIW I have been a fan since early 1995, and my favorite albums are Yield, Riot Act, and No Code (in that order).

Ms Harmless wrote:

15showsandcounting wrote:

Ms Harmless wrote:

15showsandcounting wrote:

Ms Harmless wrote:regardless, the idea that someone who has "lived through it" is far more likely to arrive at <whatever albums> as their favourite is ridiculous

So, you don't think the culture of the early 90's had a different effect on an album than say when Gigaton was released, and no one other than some of us message board nerds gives a flying F about PJ?

that question has nothing to do with what I said

if I think "things were different then" because times have changed, that has zero bearing on which albums I think you're allowed to enjoy most: speaking "objectively", Riot Act wipes the floor with Ten in just about every way

Lol. That's all I got.

that's all you ever had, laughing at people like a pompous asshole

unLEASHed wrote: 2- “WE CAN BECOME
ONE LAST SETTING SUN
OR BE THE SUN
AT THE BREAK OF DAWN”

Buby wrote:

unLEASHed wrote: 2- “WE CAN BECOME
ONE LAST SETTING SUN
OR BE THE SUN
AT THE BREAK OF DAWN”

I like this one.
Gives me "Should've stayed for the sunset, if not for me" vibes.