Re: Radiohead | A Moon Shaped Pool
Posted: Wed May 18, 2016 2:43 am
I don't know if I'd use the word "muddy", trag.
I would use a term more like "a beautiful blanket wrapped around a bittersweet memory."tragabigzanda wrote:I still haven't heard it anywhere other than my headphones or home stereo; neither are ideal, but they are both fairly well-rounded pieces of consumer junk. And it sounds muddy here -- too much cluttered instrumentation in the low end. Very boomy and "pfffffffffy." It might be my gear. I know I have near-perfect hearing (as of 2013)...zeb wrote:I don't know if I'd use the word "muddy", trag.
So all that said, is your disagreement with my term, or the characterization behind the term?
I can see where you are coming from, trag, but I feel like the album is sonically subdued rather than muddy. I'm certainly not sensing the clutter that you are.tragabigzanda wrote:So all that said, is your disagreement with my term, or the characterization behind the term?
tragabigzanda wrote:I'd maybe bump Life & Limb for Epic Problemtragabigzanda wrote:Top 10 maybe?
Hello Morning
Close Captioned
The Kill
Place/Position
Do You Like Me?
Latest Disgrace
Recap Modotti
Nightshop
Break
Life & Limb
Are you suggesting there maybe some brickwalling happening with Chud's car?tragabigzanda wrote:Yea, it's true. And I'm hearing too many instruments playing in lower registers, with a lot of air around them, and they're loud and laid out across the whole stereo spread. It's taking over the other sounds. And it fits the album's name -- I think this is the sound they were going for. My suspicion is that it this album sounds amazing in their mix room, but decidedly less so on consumer equipment.zeb wrote:From a percussion standpoint, the things that normally provide that high end cut through - the snare drum and crash cymbals - are mostly missing from this record.
Chud, what kind of distortion are you hearing?
Harmonic distortion in the audio?
Speaker distortion in your car?
Digital clipping?
well doneLetMeSleep wrote:Are you suggesting there maybe some brickwalling happening with Chud's car?tragabigzanda wrote:Yea, it's true. And I'm hearing too many instruments playing in lower registers, with a lot of air around them, and they're loud and laid out across the whole stereo spread. It's taking over the other sounds. And it fits the album's name -- I think this is the sound they were going for. My suspicion is that it this album sounds amazing in their mix room, but decidedly less so on consumer equipment.zeb wrote:From a percussion standpoint, the things that normally provide that high end cut through - the snare drum and crash cymbals - are mostly missing from this record.
Chud, what kind of distortion are you hearing?
Harmonic distortion in the audio?
Speaker distortion in your car?
Digital clipping?
Wouldn't you think that a band like Radiohead and a producer like Godrich would have a well-established process of testing those mixes outside of the mixing room though?tragabigzanda wrote:My suspicion is that it this album sounds amazing in their mix room, but decidedly less so on consumer equipment.
the shit we talked about earliertragabigzanda wrote:Yea, it's true. And I'm hearing too many instruments playing in lower registers, with a lot of air around them, and they're loud and laid out across the whole stereo spread. It's taking over the other sounds. And it fits the album's name -- I think this is the sound they were going for. My suspicion is that it this album sounds amazing in their mix room, but decidedly less so on consumer equipment.zeb wrote:From a percussion standpoint, the things that normally provide that high end cut through - the snare drum and crash cymbals - are mostly missing from this record.
Chud, what kind of distortion are you hearing?
Harmonic distortion in the audio?
Speaker distortion in your car?
Digital clipping?
LetMeSleep wrote:Are you suggesting there maybe some brickwalling happening with Chud's car?tragabigzanda wrote:Yea, it's true. And I'm hearing too many instruments playing in lower registers, with a lot of air around them, and they're loud and laid out across the whole stereo spread. It's taking over the other sounds. And it fits the album's name -- I think this is the sound they were going for. My suspicion is that it this album sounds amazing in their mix room, but decidedly less so on consumer equipment.zeb wrote:From a percussion standpoint, the things that normally provide that high end cut through - the snare drum and crash cymbals - are mostly missing from this record.
Chud, what kind of distortion are you hearing?
Harmonic distortion in the audio?
Speaker distortion in your car?
Digital clipping?
When I did mastering at Abbey Road (where Radiohead mastered before using Bob Ludwig), we went and sat in the engineers car to check the kick/bass levels as we were really pushing it. It was weird as people were taking photos of us.zeb wrote:Wouldn't you think that a band like Radiohead and a producer like Godrich would have a well-established process of testing those mixes outside of the mixing room though?tragabigzanda wrote:My suspicion is that it this album sounds amazing in their mix room, but decidedly less so on consumer equipment.