a music history question
Posted: Sun October 20, 2013 7:51 pm
Has anyone ever thought about why so many of the really important bands that launch the modern rock music tradition started in the UK, rather than the states?
I've sort of thought about it, but never really gave it much time. Assuming this isn't current music, you're talking like the Stones, Led Zeppelin, Beatles?stip wrote:Has anyone ever thought about why so many of the really important bands that launch the modern rock music tradition started in the UK, rather than the states?
yeah, 60s/early 70sChloe wrote:I've sort of thought about it, but never really gave it much time. Assuming this isn't current music, you're talking like the Stones, Led Zeppelin, Beatles?stip wrote:Has anyone ever thought about why so many of the really important bands that launch the modern rock music tradition started in the UK, rather than the states?
Yes, sir.stip wrote:but the who, the beatles, the stones, led zeppelin, pink floyd. Eric Clapton is british, right?
Most of these are building off their influences from early American rock, blues and country music.stip wrote:but the who, the beatles, the stones, led zeppelin, pink floyd. Eric Clapton is british, right?
The opposite is almost true. But yeah this is way off.stip wrote:do you just disagree with me on principle, at this point?
the US in the 50s and 60s was hugely anti-black culture. any good music that was put out by jazz and blues musicians of the time were sanitized and de-souled by having someone like Pat Boone do a 'white people' version of an otherwise brilliant song.stip wrote:Has anyone ever thought about why so many of the really important bands that launch the modern rock music tradition started in the UK, rather than the states?
theplatypus wrote:Most of these are building off their influences from early American rock, blues and country music.stip wrote:but the who, the beatles, the stones, led zeppelin, pink floyd. Eric Clapton is british, right?
malice wrote:the US in the 50s and 60s was hugely anti-black culture. any good music that was put out by jazz and blues musicians of the time were sanitized and de-souled by having someone like Pat Boone do a 'white people' version of an otherwise brilliant song.stip wrote:Has anyone ever thought about why so many of the really important bands that launch the modern rock music tradition started in the UK, rather than the states?
So everyone is right is saying it wasn't the British who started it all here, it was the fact (to me) that the British musicians loved that music by the American Black culture, and emulated it and since they were white guys, could sell it and become popular in the US as a result.
my opinion
I think it was a case of right time right place for the British Invasion. the society was just starting to come out of that era of 1950s wholesome lifestyle, good ole USA, mom, hot dogs, and the american flag etc, and starting to wake up to a lot of cultural unrest that had been forming/fomenting under that whitebread surface.stip wrote:malice wrote:the US in the 50s and 60s was hugely anti-black culture. any good music that was put out by jazz and blues musicians of the time were sanitized and de-souled by having someone like Pat Boone do a 'white people' version of an otherwise brilliant song.stip wrote:Has anyone ever thought about why so many of the really important bands that launch the modern rock music tradition started in the UK, rather than the states?
So everyone is right is saying it wasn't the British who started it all here, it was the fact (to me) that the British musicians loved that music by the American Black culture, and emulated it and since they were white guys, could sell it and become popular in the US as a result.
my opinion
This seems like a step in the right direction, although presumably the pat boone market would have also been hostile to airing this black influenced music in the states. And while I don't doubt a huge number of potentially talented musicians didn't explore the possibilities in this music, you still had Elvis, and millions of Americans who would not have been hung up on the black influence. Even taking out the huge swaths of the popualtion who would find the music racially tainted you're left with a large pool of potential musicians that didn't have the same initial impact.
Yup. Elvis took some ribbing for putting black influence into hillbilly music, but the fact was that most of the oppositional response of the time focused on stuff like "the marketing of adolescence" as a music product, and the like. He was a church goer, he treated music the way everybody treated it back then (as a point of entry to the broader topic of "show business"), and his image wasn't that far removed from some of the "rebel" characters in movies at the time. He was really the safest point of entry for the concept of music as cultural force that could center around teenagers. In that regard, he was the perfect lob ball for something bigger to go right the fuck out of the park. And, as was noted, the different cultural attitudes in the two countries made England a better nesting ground for that (even if they did get sidetracked for a moment by skiffle....uh....).malice wrote:Elvis may have been the King, but the wholesome 'aww shucks, ma'am' attitude he had was still acceptable enough to white america to allow the swiveling hips and little girl lust to exist.
okay, this is interesting. Was there an ingredient missing that the American tradition was not really in a position to supply.bada wrote:African rhythm and blues mixed with the melodic folk tradition of the British Isles = modern music.