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59. Let Me Drown vs. Blood on the Valley Floor

Posted: Tue June 27, 2017 12:53 pm
by stip
Let Me Drown vs. Blood on the Valley Floor

Re: 59. Let Me Drown vs. Blood on the Valley Floor

Posted: Tue June 27, 2017 1:58 pm
by tragabigzanda
Let Me Drown should win this whole thing.

Re: 59. Let Me Drown vs. Blood on the Valley Floor

Posted: Tue June 27, 2017 6:55 pm
by stip
clearly that can't be true

Re: 59. Let Me Drown vs. Blood on the Valley Floor

Posted: Tue June 27, 2017 7:08 pm
by tragabigzanda
But that song is a monster.

Re: 59. Let Me Drown vs. Blood on the Valley Floor

Posted: Tue June 27, 2017 9:08 pm
by stip
More monstrous than The Day I Tried to Live?

Re: 59. Let Me Drown vs. Blood on the Valley Floor

Posted: Tue June 27, 2017 9:09 pm
by Anders
I'll be surprised if The Day I Tried To Live wins.

Re: 59. Let Me Drown vs. Blood on the Valley Floor

Posted: Tue June 27, 2017 9:12 pm
by tragabigzanda
Yes. More monstrous than most other songs in existence.

Also, sidenote, it's got one of the best examples of room mic'ing I can think of: For the entire song, the depth of field is full of guitars, drums, bass, reverb -- it's super lush. And then during that last part of the bridge, when it's the sludgy/tribal part, and Chris sings So heal my wounds without a trace / And seal my tomb without my face / I'm going to the lonely place, most of the instrumentations falls away, and instead the depth of field gets filled with the cavernous sound of the room mics around the drums (by pulling those faders up). They sound huge! And then it's back to the guitar bombast.

Fucking stellar, this one.

Re: 59. Let Me Drown vs. Blood on the Valley Floor

Posted: Tue June 27, 2017 9:26 pm
by chewm
I love Let Me Drown, but it's not one of my favorites from Superunkown.

Re: 59. Let Me Drown vs. Blood on the Valley Floor

Posted: Wed June 28, 2017 2:49 am
by wease
tragabigzanda wrote:Yes. More monstrous than most other songs in existence.

Also, sidenote, it's got one of the best examples of room mic'ing I can think of: For the entire song, the depth of field is full of guitars, drums, bass, reverb -- it's super lush. And then during that last part of the bridge, when it's the sludgy/tribal part, and Chris sings So heal my wounds without a trace / And seal my tomb without my face / I'm going to the lonely place, most of the instrumentations falls away, and instead the depth of field gets filled with the cavernous sound of the room mics around the drums (by pulling those faders up). They sound huge! And then it's back to the guitar bombast.

Fucking stellar, this one.
Fuck yeah!