Re: Post Random Movie-Related Thoughts You Have
Posted: Wed June 08, 2016 9:42 pm
Film Crit Hulk is having a bit of a meltdown
There is a Rolling Stone article about Bay going to see Krang's design and the vfx of the movie and he is making all the decisions. My guess is that he doesnt want to direct another big franchise...and with this sequel, i guess he could not be present on shooting, pre production, rehearsals, because of his own movie.durdencommatyler wrote:Bankrolling, you mean, like the guy who owns the production company making the movie?tragabigzanda wrote:An EP credit is usually given to people who bankroll the film, or otherwise support the project without any creative input.durdencommatyler wrote:He can do all of that as a director, too. Especially as "Executive Producer."tragabigzanda wrote:Presumably because he doesn't have to be on set daily. He can design the overall look and feel of the movie, watch the dailies from the back of his limo, and make adjustments from wherever it is he goes to pay homage to the dark overlords who have granted him his powers.durdencommatyler wrote:Really? Fascinating. Why hire outside directors if he's gonna be so involved, even down to character design? Either way... I don't plan on seeing the movies. Maybe I will eventually. But I certainly won't make any real effort to do so.VinylGuy wrote:He is very much involved in everything in the movie...from the scrip to the designs of the characters...everything.durdencommatyler wrote:I mean, but really, how much pull does Bay actually have on any of these Turtle movies? He's a producer, I get that. But is he involved with actual decision making or is he a producer the way Nolan was a producer on Man of Steel?
I saw the new one and i actually enjoyed it.
If he were a director, he's be expected to be on location every day, unless he has a gaggle of Second Unit directors doing all the heavy lifting, which is certainly possible but not likely.
I know how it works man. I'm just saying. At this point, with his name, he could collect both credits and be away from set as much as he wanted. It happens all the time. Especially on this money-grab properties.
Just seems weird to want massive amounts of control and input, as someone who is a director, and not also want to direct. Or take credit for directing. Seems much more likely to me that Bay isn't all that involved in any aspect. But if VG is right, and I don't have any reason to doubt him, it's fucking weird. That's all I'm saying.
It's not really weird. Bay wants some big picture control over it and doesn't really care about a director credit, so he gets the fat Executive Producer credit and hires someone else to do the day to day directing. And think of it from the directors point of view. Would you want to direct if someone else takes the credit?durdencommatyler wrote:Bankrolling, you mean, like the guy who owns the production company making the movie?tragabigzanda wrote:An EP credit is usually given to people who bankroll the film, or otherwise support the project without any creative input.durdencommatyler wrote:He can do all of that as a director, too. Especially as "Executive Producer."tragabigzanda wrote:Presumably because he doesn't have to be on set daily. He can design the overall look and feel of the movie, watch the dailies from the back of his limo, and make adjustments from wherever it is he goes to pay homage to the dark overlords who have granted him his powers.durdencommatyler wrote:Really? Fascinating. Why hire outside directors if he's gonna be so involved, even down to character design? Either way... I don't plan on seeing the movies. Maybe I will eventually. But I certainly won't make any real effort to do so.VinylGuy wrote:He is very much involved in everything in the movie...from the scrip to the designs of the characters...everything.durdencommatyler wrote:I mean, but really, how much pull does Bay actually have on any of these Turtle movies? He's a producer, I get that. But is he involved with actual decision making or is he a producer the way Nolan was a producer on Man of Steel?
I saw the new one and i actually enjoyed it.
If he were a director, he's be expected to be on location every day, unless he has a gaggle of Second Unit directors doing all the heavy lifting, which is certainly possible but not likely.
I know how it works man. I'm just saying. At this point, with his name, he could collect both credits and be away from set as much as he wanted. It happens all the time. Especially on this money-grab properties.
Just seems weird to want massive amounts of control and input, as someone who is a director, and not also want to direct. Or take credit for directing. Seems much more likely to me that Bay isn't all that involved in any aspect. But if VG is right, and I don't have any reason to doubt him, it's fucking weird. That's all I'm saying.
Hamilton? Really? It's Peter Laird and Kevin Eastman. Laird and Eastman were not closely involved with the Original Toon (OT), here's a quote from Laird himself. “…had I (again, speaking solely for myself and not for Kevin) been making the key creative decisions for that first animated series, it would have been VERY different. Among other things, there would likely have been no moronic henchmen like Bebop and Rocksteady. The Shredder would have been seriously malevolent. April would not have been a reporter and constantly need to be rescued by the Turtles. The Turtles would not have been so ridiculously obsessed with pizza, and the Shredder would not have had as one of his businesses a restaurant called ‘Ninja Pizza’…And the show would not have had a joke or gag every five seconds.” From Wikipedia, "Laird had minimal hands-on involvement in the development of the original animated series....."tragabigzanda wrote:To be fair, Bay's versions don't look any more off-book than every other interpretation of the original comic (I maintain that the original film did a fair job of capturing the gritty tone). And all the pizza, cowabunga, etc that was a hallmark of the 80s cartoon was developed with Laird & Hamilton closely involved.McParadigm wrote:only time can undo the damage Michael Bay has heaped upon the prestigious tale of turtles who are ninjas.
I hate Michael Bay movies, but I think he's perfectly suited to the TMNT franchise. Of course I haven't actually seen either of his two films.
Steve Albini wrote:Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
Is this a real quote from the movie?"She's so hot, I can feel my shell tightening."
We could all learn a lot from this exchange. Or at least a lot about turtles.theplatypus wrote:Well I am glad this debate about the artistic integrity of the Teenage Mutant Ninja Turtles was resolved quickly.
Yes, from the first one. When they first meet April.tommymtcom wrote:Is this a real quote from the movie?"She's so hot, I can feel my shell tightening."
Never mind. This really isn't worth it.BurtReynolds wrote:It's not really weird. Bay wants some big picture control over it and doesn't really care about a director credit, so he gets the fat Executive Producer credit and hires someone else to do the day to day directing. And think of it from the directors point of view. Would you want to direct if someone else takes the credit?durdencommatyler wrote:Bankrolling, you mean, like the guy who owns the production company making the movie?tragabigzanda wrote:An EP credit is usually given to people who bankroll the film, or otherwise support the project without any creative input.durdencommatyler wrote:He can do all of that as a director, too. Especially as "Executive Producer."tragabigzanda wrote:Presumably because he doesn't have to be on set daily. He can design the overall look and feel of the movie, watch the dailies from the back of his limo, and make adjustments from wherever it is he goes to pay homage to the dark overlords who have granted him his powers.durdencommatyler wrote:Really? Fascinating. Why hire outside directors if he's gonna be so involved, even down to character design? Either way... I don't plan on seeing the movies. Maybe I will eventually. But I certainly won't make any real effort to do so.VinylGuy wrote:He is very much involved in everything in the movie...from the scrip to the designs of the characters...everything.durdencommatyler wrote:I mean, but really, how much pull does Bay actually have on any of these Turtle movies? He's a producer, I get that. But is he involved with actual decision making or is he a producer the way Nolan was a producer on Man of Steel?
I saw the new one and i actually enjoyed it.
If he were a director, he's be expected to be on location every day, unless he has a gaggle of Second Unit directors doing all the heavy lifting, which is certainly possible but not likely.
I know how it works man. I'm just saying. At this point, with his name, he could collect both credits and be away from set as much as he wanted. It happens all the time. Especially on this money-grab properties.
Just seems weird to want massive amounts of control and input, as someone who is a director, and not also want to direct. Or take credit for directing. Seems much more likely to me that Bay isn't all that involved in any aspect. But if VG is right, and I don't have any reason to doubt him, it's fucking weird. That's all I'm saying.
Wow. Yeah, that's super weird. BvS was just that good, huh?LoathedVermin72 wrote:I pretty much never watch movies anymore, which concerns me a bit.
Loss of interest? Lack of time due to move? Too busy trying to best your record for pumping?LoathedVermin72 wrote:I pretty much never watch movies anymore, which concerns me a bit.