Red Mosquito

Birds in Hell wrote:The record was mastered but not yet sequenced?

That doesn't even make sense.

Sad, the whole thing.

Yeah...She probably means mixed not yet mastered/sequenced.

Ill be very very dissapointed if she released SG material/demos as solo material.

oasisfan35 wrote:I picture her eyes turning in to giant money $ymbols each time she mentions the work music.

¨we’re blessed, because he has left us lots of music¨

joostone wrote: “Because he was just such a prolific writer....

Arn't these all f*cking covers?

Thurman Murman wrote:

joostone wrote: “Because he was just such a prolific writer....

Arn't these all f*cking covers?

they also have unreleased video of chris recording these in the studio

his peak studio prime, preserved for eternity

Spoiler: show

i kinda want to buy this as it's still chris singing on there but i just can't bring myself to give money to that witch until the SG bs is resolved, or I should say when we get to hear these final recordings.

armogi wrote:i kinda want to buy this as it's still chris singing on there but i just can't bring myself to give money to that witch until the SG bs is resolved, or I should say when we get to hear these final recordings.

Illegally download it

wease wrote:

armogi wrote:i kinda want to buy this as it's still chris singing on there but i just can't bring myself to give money to that witch until the SG bs is resolved, or I should say when we get to hear these final recordings.

Illegally download it

already did! but you know...

Why does Chris sound amazing in this performance but absolutely awful in basically every other Audioslave performance?

Why did Chris have a mustache like an Italian restaurant maitre d’ from 1989?

This date looms every year. In a very real way, it was the end of Linkin Park.

Listened to a bunch of the Z-Sides 5 disc set today that a board member made and distributed.

This still has me And it happened on our 15th Anniversary.

bodysnatcher wrote:Why did Chris have a mustache like an Italian restaurant maitre d’ from 1989?

This still bothers me. It shouldn't, but it does.

bodysnatcher wrote:Why did Chris have a mustache like an Italian restaurant maitre d’ from 1989?

I always thought if it as more of a mustache on a bicycle flower delivery guy from 1990

Bammer wrote:

bodysnatcher wrote:Why did Chris have a mustache like an Italian restaurant maitre d’ from 1989?

I always thought if it as more of a mustache on a bicycle flower delivery guy from 1990

this is always what i think of, or vincent price

Spoiler: show

Gravitated towards ToTD this week and ‘Times of trouble’ is really good.

Time flies and what happened with Chris is very sad. I don’t think I can recall feeling as surprised about a musicians death as with Chris. He sure hid it well despite lyrical content.

What’s been going on since the day he died is shameful. Hollywood Forever and James Franco in a bikers jacket sums it up for me. A seedy circus hammered home by the peddling of shite cover versions and Soundgarden operating under a different name. Yuk.

Times of Trouble is a great song. I always consider it the real song between this one and Footsteps. Back in the day, i kinda hated Footsteps actually.

VinylGuy wrote:Times of Trouble is a great song. I always consider it the real song between this one and Footsteps. Back in the day, i kinda hated Footsteps actually.

I like them both. Very different takes on that riff- Footsteps really mostly only makes sense as part of the trilogy, and Times of Trouble feels more worked up (especially since the original footsteps is mostly acoustic guitar with Eddie’s vocals over top of it).

VinylGuy wrote:Times of Trouble is a great song. I always consider it the real song between this one and Footsteps. Back in the day, i kinda hated Footsteps actually.

I used to totally prefer Footsteps. Not for a long time, now. ToT is just kickass as fuck.

I still prefer Footsteps. But I'm sure no one here is surprised by that.