Red Mosquito

I have not

The score is brilliant. Might be Cliff Martinez's best work to date.

Yeah, I think maybe you've mentioned.

BEST WORK TO DATE JOEY.

It is a fantastic score.

Birds in Hell wrote:This comes out here in October, I'm pretty excited.

Wow, this was amazing.

Birds in Hell wrote:

Birds in Hell wrote:This comes out here in October, I'm pretty excited.

Wow, this was amazing.

I seriously loved this so much, I'm still reeling.

It's been sitting in my HDD for a few weeks. I'll watch it this weekend.

theplatypus wrote:It's been sitting in my HDD for a few weeks. I'll watch it this weekend.

who cares? just come back with a full review.

And we know its going to be a positive one, because you care about art.

and women.


RIGHT?

Shut up

FULL FUCKIN REVIEW.


thanks.

Birds in Hell wrote:I seriously loved this so much, I'm still reeling.

It's a wonderful film. I'm glad you enjoyed it.

My best friend watched this with his lady last night. He texted me when it was over. Man they did NOT like this movie.

"My review of Neon Demon.."

"This movie is SO FUCKED UP!!!!!"

"Obvious and on the nose? It was very pretty, but disgusting and up its own ass"

"[She] thought it was up its own ass, I just think it's really fucking gross and disturbing."

I told him what I thought of the film and he said,

"Okay... maybe the shock value was too intense for us the first time through? maybe it's a movie that deserves a rewatch to pick up on more."

I said, yeah, maybe. Or maybe you guys just don't like the movie.

Yeah, im sure some of my friends wont like this at all too.

I finally saw this one earlier this week. Modeling is a beautiful, vapid endeavor. This is a beautiful, vapid film. (This is not a positive review).

Why do you think it's vapid?

I don't think it's exploring any new ideas. What is it about? Valuing beauty is superficial? Models are jealous of one another? The dialogue is occasionally so on-the-nose that it's embarrassing.
And then of course there's some ultra-violence because Refn's gotta Refn.

The Argonaut wrote:I don't think it's exploring any new ideas. What is it about? Valuing beauty is superficial? Models are jealous of one another? The dialogue is occasionally so on-the-nose that it's embarrassing.
And then of course there's some ultra-violence because Refn's gotta Refn.

I mean, if you take it completely at face value, I guess. But I don't think it's about modeling at all. Like all Refn films, it's autobiography. It's about Drive and his relationship to Hollywood.